Ornament formed from a length of metal with several facets bent into a c shape.

Ornament made of a length of metal bent into a c shape and twisted to look like rope.

Long thin piece of twisted iron known as a kissi penny. One end is pick-shaped and the other end is horizontal spade-shaped.

Raven headdress, or mask, with long cedar bark fringe. Emerging from the top of the head is a short cedar bark fringe, as well as black feathers and two attached wooden wing panels. Two additional upright wooden wing panels are attached at the back, and one horizontal panel. The panels are carved in relief and painted black, brown and dark red on a black background. The beak is black, and mouth is red. The lower part of the beak is hinged with strips of hide(?), nailed in place, and a thin grey plaited rope is attached to the inside of the lower beak, and hangs down with the long fringe. The eyes are black, outlined in red and black on a white ovoid background; the brow is black. The inside of the headdress is hollow and lined with yellow foam on the upper portion. Two thick plaited ropes are nailed to the top, at the back, to hold the mask on the wearer. Attached along the top ridge is a twisted and dyed cedar rope.

Painting on a rectangular piece of slightly warped bark; depicts Njaljod (the Rainbow Serpent). Painting background is orange-red and the undulating serpent spans the entire width. Serpent has a thick body that narrows at the neck and tail, an oval-shaped head with an open mouth, and two small circular eyes. A long, white forked tongue extends from mouth, into bottom right corner of painting. Body of serpent is decorated with chevrons filled with cross-hatched bands; bands are dark yellow, maroon, black, and white. Lines dividing chevrons are maroon and decorated with alternating black and white dots. White bands run along curves of serpent, with maroon diagonal lines spaced throughout. White flowers extend from the bottom and top of serpent, at the centre of the painting. Wooden rods are tied to either side of painting, with plant fibre ties. Back of painting is undecorated; inscriptions written throughout and a paper label is adhered to centre. (Metal hanging hardware along top edge).

Kachina figure, carved and painted. Small standing figure on small mound-like base. Figure wears long cape, headdress, long tunic, belt, black leggings and red boots. The headdress has many components – coral, two black horizontal lines, three turquoise horizontal bands, three black feathers with red bands, tie in the back. The figure’s hands rest at the belt on their waist. Written on base, '“Takush Mana” by Rick James'.

Two trolling fish hooks with bone points lashed on with bark, both have long and flexible shafts made from whalebone. A) has a slightly curved shaft.; Good.These two fishhooks would have been used for catching spring salmon or cod. They both have antler points, which are attached with bark to the baleen shafts.Exhbited: On loan to'Arctic Ambitions: Captain Cook and the Northwest Passage', at the Anchorage Museum, Alaska, 27 March- 7 September 2015; and the Washington State Historical Museum Tacoma/Seattle 16 October- 10 January 2016

A house beam styled after a soul-catcher, with a killer whale design. [CAK 26/05/2010]

Double annular wooden frame rattle mounted with puffin beaks. [EC 'DCF 2004-2006 What's Upstairs?' 14/9/2005]

Basket fragment, additional bag of remnants. Field catalog description: field sample # 36; No catalog # given.