Found 4,912 items associated with . Refine Search
Found 4,912 items associated with . Refine Search
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Coiled cedar bark basket. Dark brown trapezoid decorations and loop, the trapezoid pattern is slanted to the left, a mark of Nlaka’pamux weavers. The small loop is connected to the top of the basket. It is a pale yellowish white, with medium brown details
Coiled basket, slightly discoloured, tightly sewn, and has a balanced, even pattern. This basket has different stitching than typical baskets, with stitches wrapping around two rows of cedar roots, rather than just one, the bottom of the basket is representative of a slat bottom. The basket is a pale yellowish white, with medium brown details.
Small rectangular bark cloth with designs painted in orange-brown, against a beige background. Designs consist of straight and curved lines intertwining to form abstract "X" shapes; additional ovals, triangles, and trapezoids throughout negative space. Orange-brown lines bordered with solid and dotted black lines; chevrons throughout negative space between decorative lines, also done in black. Designs are inside a rectangular border; done in orange-brown with black solid and dotted trim. Back of tapa is undecorated; maker information on label stapled to back.
Model totel pole with two carved figures. From top, a thunderbird with eyes outlined in blue and a mouth outlined in red. Wings are painted with red and blue feathers. Left wing has been reattached with adhesive. The thunderbird sits atop the tail of a whale. The whale is positioned head down with eyes outlined in green, nostrils outlined in red, and mouth outlined in purple. 'CHARLIE JAMSON' written on back.
Model totem pole with three carved figures. From top, a male figure with feather headdress and green-blue eye mask with red marking. The carved headdress has six upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid painted above the figure's head. The seated male figure holds an upside-down grey fish in front of his body, and sits on top of the head of a large animal figure (sea-wolf or sea-bear?). The animal looks downward and sits on a mound creating an s-shape to its reddish-brown body.
Model totem pole (part a) with detachable wings (parts b-c). Pole has four carved figures, from top: thunderbird with pink beak; a human holding a sea lion upside-down, with a face depicted between the tail flippers; the sea lion holds a sea creature in its mouth. The figures all have eye outlines - thunderbird in blue-green; human in green; the sea lion in blue; and the sea creature has blue. The sea creature's mouth is outlined in red, and has five full and two half black vertical stripes on its body. 'CHARLIE JAMSON' written on back.
Model totem pole (also fragment bag with wing pieces). From top, bird figure, killerwhale, upside-down male figure. The bird has a large head and small body. It is seated on the back of the killerwhale below, with seperately carved wings inserted into its back. It has feathers painted and a face on its chest. The killerwhale is upright with its head bent forward with the lower half of the upside-down male figure partially inside of its mouth.
Model totem pole with three carved figures. From top, a seated or crouched male figure with feather headdress. The carved headdress has five upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid hole carved above the figure's head. The male figure is crouched on top of a large head, and holds a serpent in front of his body. The large head has upright rounded ears.
Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.