FROM CARD: "PLAIN BRACELET. INVENTORIED 1979."

Written on artifact itself in old handwriting: "Scoop for bailing out canoe. Haida Indians. Queen Charlotte Id. J.G. Swan." Accession record also mentions 1 Haida bailing scoop as being part of this collection.

NOTE: ALTHOUGH CATALOGUED AS "FORT SIMPSON, B.C" THIS ARTIFACT HAS "BELLA BELLA, B.C." WRITTEN ON IT AND THIS WAS DONE AT THE TIME IT WAS ORIGINALLY CATALOGUED (BASED ON THE OLD HANDWRITING).

FROM CARD: "ILLUS. IN USNM AR 1888, PL. 22, FIG. 86; P. 278. ILLUS.: HNDBK. N. AMER. IND., VOL. 7, NORTHWEST COAST, FIG.11, PG. 2." FROM CARD: "STONE SLEDGE.---HANDLE OF WOOD, HEAD OF BASALT, WITH LASHING OF SPRUCE ROOT. KAIGANI INDIANS (SKITTAGETAN STOCK), PRINCE OF WALES ISLAND, ALASKA. 20,893. COLLECTED BY JAMES G. SWAN." SEE PROCESSING LAB ACCESSION FILE FOR ADDITIONAL INFORMATION. See p. 206-207 in Wright, Robin Kathleen. 2001. Northern Haida master carvers. Seattle: University of Washington Press. Wright identifies this object as having been collected by James G. Swan from Duncan ginaawaan at Klinkwan in 1875.

Records in the SI Archives of the Office of Distribution say 1 of 2 colymbus skins with this number was transferred to Copenhagen, Denmark in 1867. Not clear where the other skin went, or what the relationship is with the painted wooden items currently found in the collection.

Original cataloguing identifies this object as "Wooden Dance Hat, Green." Illus. Fig. 385, p. 280 in Fitzhugh, William W., and Aron Crowell. 1988. Crossroads of continents: cultures of Siberia and Alaska. Washington, D.C.: Smithsonian Institution Press. Crossroads caption identifies the brilliant red pigment on the hat as vermillion, made in China and acquired by trade. Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=184, retrieved 4-28-2011: Crest hat. This wooden ceremonial hat a Beaver clutches two Eagles in its paws. Haida clans of the Eagle moiety own both of these crests. Cylinders stacked on the beaver's head signify that the owner of the hat had hosted four major potlatches, an accomplishment possible only for a wealthy chief. Decorated shields of beaten native copper (called "coppers") were a symbol of wealth and are represented here by painted motifs on the hat's brim. The base of this hat was carved from alder and the upper portions from cedar. Extracts from Elders' discussions of the hat in 2005 (see web page cited above for the full entries): Delores Churchill (Haida): 'It's a beaver. . . . It's strange though, even though it says "Haida," it's doing that color on the rings. You very seldom see color. So I'm wondering if it's Haida from Kassan or Howkan, because in Alaska they followed some of the Tlingit, things that they did. They picked up some of those traits that the Tlingits had, and this coloring is one of the things that the Tlingits did. So that to me is indicative that they were really influenced by the Tlingit. So I wouldn't be surprised if it was from Kassan or Howkan or Klukwan. . . ." Delores Churchill: "Well what makes it real interesting too is it [painted design] looks like the coppers." Clarence Jackson (Tlingit): "Yes, copper shields." Delores Churchill: "Well the copper shields were very important not just to the Tlingit but to the Haida and to the Tsimshian. And they thought it of great value. And I'm wondering if, when the person obtained this hat, he had to give four coppers. Because sometimes when people got married they threw coppers down to show how rich they were, and then the bride would dance around the coppers. So I'm really wondering if his is signifying that the person who got this hat paid four coppers for this hat."This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.