Elephant tusk. The tusk is curved, with a smooth, shiny surface. The colour gradates from a light yellow-white at the top open edge to a light brown near the tip. It is hollow and smooth on the inside, with thin walls and a wide opening at top that thickens and narrow toward the tip.

Cast bronze, hollow female head. The face has a pronounced brow with three small protruding marks above each eye, possibly representing scarification. Below the slightly protruding lips is a shallow jaw line leading to a long neck which is decorated with three thin rings. On the head is an elaborate headdress or hairstyle, starting at the hair line and culminating in a tall, thin cone-shaped projection at the top of the head that curves slightly forward. It is decorated with angled lines that are raised and crossed, making a diamond pattern. Decorations attached to the headdress hang down in front of the ears and at the back of the neck. The inside of the head is hollow and has a wire hanging halfway down from the point of the headdress.

Kneeling figure. The head is elongated and topped with a round headdress that has a deep bowl at its centre. Scratches in the bowl suggest it was used as a container in some form. Carved into the face are eyes and a mouth, a hole for a right ear, and at left, a large oval shape. Below the short neck is a narrow chest and two arms bent so that the hands rest on the stomach, where a hole has been bored. The left side of the figure shows a leg bent at the hip and knee, indicating the figure is kneeling. The right side beneath the arm is not clearly carved.

Standing figure. The head is large and oblong to front and back, with large ears carved on either side, protruding eyes, a wide nose, and a hint of a mouth. Below a short neck is a round and protruding torso at the chest and buttocks, leading to combined legs that are bent at the knees. The arms of the figure are slightly bent and meet the lower body at the thighs, where the hands are smoothed into the legs. The figure stands on a circular base.

Standing male figure wearing a wide-brimmed, pointed hat and holding a pipe or horn to his mouth with his left hand. He is wearing a long tunic, open at the sides, with a pleat up the centre of both the front and back. In his right hand he is holding a staff with three rings placed at intervals on the shaft. Over his left shoulder is a patterned bag. The ears are large and round, holes are cut for eyes, mouth is slightly open, and the nose is prominent. The chin is pointed. The figure’s wide set legs are long, thin and straight where they protrude out from under his tunic; his small feet are planted firmly on a thin square base.

A female figure carved in bone. The figure has a large, relatively flat head to front and back, with three horn-like projections rising out of the top. An inverted teardrop shape is carved into the prominent forehead between the eyes. The ears are narrow and carved close to the head, the nose is wide, and the mouth is thin-lipped. The neck is made up of two carved rings, leading in back to prominently carved shoulders and buttocks, and in front to breasts and a protruding stomach. Arms hang straight down, ending at the hips, and have no hands. The legs are slightly bent at the knees, and end at feet carved into a round base with a hole in the centre. Many areas of the body have been texturized with a pattern of fine carved lines, most prominently on buttocks, shoulders and horns. The rough interior of the bone can be seen on the top of the head, groin area, and centre of the base.

A cast bronze figure wearing an elaborate headdress that has a woven cap with large curved elements attached on top and to the front. Smaller decorations hang down the neck of the figure in back, and long strings hang down to the waist, attached to the cap in front of the ears. A wide, ringed neck ornament juts out past the chin. The figure wears a long sleeved garment that ends mid-shin and is decorated with raised, angled lines that make a diamond pattern. The left arm is slightly bent, with the hand resting on the hip, while the left arm is bent at a 90 degree angle and the hand holds a large curved ornament or weapon with a twisted circular handle. This element is also attached to the figure at the head and thigh. The legs protrude from the bottom edge of the tunic at the mid-shin, and end in rough feet on a square base that is too small to balance the figure when standing.

A cast metal plaque depicting four male figures. The figures stand shoulder to shoulder, each with a helmet-shaped headdress and ringed neck decoration extending down to cross the chest over the ribs. Each figure has a uniquely patterned skirt decorated with, from left to right, dots, dots and zigzags, horizontal bands with dots, and a leaf pattern. The faces of the figures have prominent eyes and mouths, and wide noses. Shoulders are prominent and rounded, arms slightly bent and hanging down at sides, with hands flat on thighs. Shins and ankles extend from the bottom of the skirts and end in flat, forward-protruding feet. The rear of the plaque is concave behind each figure, and a metal ring for hanging is attached at top centre.

Kneeling figure. The head is pointed at top, with protruding ears, prominently carved eyes and eye sockets, a large nose that widens at bottom, and a protruding pointed chin. The back of the neck is carved with four vertical bulges, underneath which are very large, prominent shoulders. The arms are bent and hands touch the face at either side of the mouth, the right hand having three fingers and the left hand having four fingers. A rounded stomach leads down to legs bent into a kneeling position, with feet crossed at ankles in back. The stone of the figure is filled with sparkly inclusions.