Print depicting a harbour with boats at sea and docked at short. Cluster of mountains in the distance to the left. Print of Ejiri Station (#18). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " FJIRI The present Shimizu Harbour. The pine covered projecting point is "Miho-no-Matsubara" (the pinery of Miho) where according to legend an angel danced before a fisherman in order to retireve [sic] her stolen celestial raiment. Nowadays this spot is well-known as a tea exporting port." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting three people walking in the snow. Groups of houses in the background are covered with snow. Trees frame each side. Overall colours are orange, black, grey, and white. Print of Kambara Station (#15). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " KAMBARA From Fujimiya Station, walking along the old road, then across the Fuji River, one reaches Iwabushi, and finds the same geographical features as pictured." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting a large green, blue, yellow, brown, grey, and black cliff amongst smaller, more distant mountaintops. Two people travel down the side of the mountain. The cliff hangs over a body of water. There is a yellow and white skyline. Print of Hakone Station (#10). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: "HAKONE Generally considered the most unique of the Tokaido series. It is an unusual example of a very fine print using only primary colors. The view which shows in one picture Mt. Komagadake with Mt. Fuji on the opposite side of the circle of the lake, is particular ingenious." There are Japanese characters at the top, bottom, and side of the printed message.

Print of a scene with two people standing on a path amongst some trees. There are round, grey mountains in the background. Depiction of the Hiratsuka Station (#7). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy." from Nihonbashi to Kyoto (Hoei-do edition). The print is mounted on a yellow-white matte paper and has a cover page that flips over the image. The cover page has a printed inscription that reads: " HIRATSUKA Just beyond the present Hiratsuka Station, approaching Oiso, on the Tokaido Railroad Line. The round-topped mountain is Mt. Komayama; Mt. Fuji and Mt. Oyama are to the right." There are Japanese characters on the top, the bottom and the side of the printed message.

Print depicting a man entering a building. There are men and women in the building. A large palm plant is in the foreground of the print. Print of Akasaka Station (#36). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy." from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: "AKASAKA The sun has set. The inn is found. After taking a bath, a guest has a drink. A masseur comes. In the next room, service girls hastily arrange their [sic] toilet. This is really a scene from "Hizakurige." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting people bowing near a building. Three of the people stand near a donkey. One woman stands near a building. A older man approaches the scene as he walks on a bridge. There are roof tops in the background, as well as trees and sky. Depicting the Totsuka Station (#5). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy" from Nihonbashi to Kyoto (Hoei-do edition). The print is matted on a piece of yellow-white paper and has a cover page that flips over the print. The cover page has a printed inscription that reads: " TOTSUKA Vicinity of the present Ofuna Station. The sigh post reads "Hidari Kamakura-machi" (Left, the Kamakura road). It seems to indicate the road to Zushi and Kamakura, along which one sees the famous Kanazawa Hakkei (Eight Views of Kanazawa)." There are Japanese characters on the top, side, and bottom of the printed message.

Print depicting a group of women working to one side of the print. There are a group of buildings in the background. A large and tall tree stands in the middle of the field. Print of Fujieda Station (#22). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: “ MINAKUCHI The sketch is ordinary. However we see that the style of houses has changed from Yedo to Kansai style." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting a group of people crossing an arched bridge. There is a cluster of buildings in the distance. Blue mountains are part of the background. Print of Okazaki Station (#38). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: “ OKAZAKI The castle of the Tokugawas at Okazaki. This is the scene of the famous meeting between Toyotomi Hideyoshi, in his boyhood, and Hachisuga Koroku. Tradition says that Hideyoshi hid under straw-matting on the bridge waiting for some great person worthy to be his master. Hachisuga, a wandering Samaurai, passed and kicked him. After a tussle, Hideyoshi became his follower." There are Japanese characters at the top, bottom, and side of the printed message.