Traditional medical-style leather bag. Tube-shaped bag with piping on seams. Metal closure extends the length of the bag, with leather handle missing, and lockable brass clasp. Interior is lined with a beige fabric, with one pocket on the side. '16' and '160' impressed into leather on rectangular base. Four round metal feet on bottom.

Raw materials (part a), small dried pieces of cephalopod arms, kept in a small off-white cinch bag (part b) with a yellow drawstring.

Raw materials (part a), pieces of red ochre and a piece of root(?), wrapped in an orange cloth (part b).

Raw materials (part a), possibly root or fungus(?), wrapped in a cloth scarf (part b) with a purple and yellow floral design on beige background and blue border.

Two skeins of heavy off-white wool (parts a-b), and some smaller pieces of wool (part c).

Wall hanging of a silkscreen print, on burlap cloth. Sea lion is shown on its back, with flippers and head curved in towards centre where foreflippers held up. The burlap is attached to half of a dowel along both the top and bottom edges. A thin black cord is attached to the top for hanging. A Coastal Arts printed label is adhered to the reverse which gives the title, artist and biography.

Dog whip made of sea mammal hide, with a wooden handle. The handle has a notch around the bottom with a strip of skin threaded through, and secured at the other end through a hole. The top of the handle is a combination of skin tied together, and being wrapped. On one side, there is a large rounded notch. From the handle, the whip is composed of many layers of skin that are stitched together, with the whip becoming increasingly thinner as it progresses towards the tip. The skin is knotted close to the tip.

Dip net composed of a long pole handle, hoop and net. Net composed of woven cotton string. Hoop composed of two pieces of bent wood, tied together at the top and attached to the pole by two wooden pegs, black coated wire and cord. Net suspended from hoop by six metal rings (three on each side), fibre and wire bindings at top. A small piece of dark blue fabric and light green fabric are tied in the net, as well as some pieces of a rough unwound plant fibre rope. A long cord is attached to a metal ring on both sides of the hoop. A piece of off-white string is tied to the pole near the end.

Small rectangular weaving, meant to hang vertically from loops around a wooden bar shaped like an arrow. Zigzag lines intersect with each other in colours of cream, brown, green, grey and bright yellow, laying in horizontal strips across the textile that are divided by narrow cream and grey bands. A short fringe hangs from the bottom edge. Blue 'Salish Weaving' tag sewn to back.

Rectangular weaving dyed light brown and green in alternating horizontal strips, with large triangles of yellow and light orange emerging from the edges, and a pair of smaller tringles in light yellow or dark brown in the centre of each strip. Strips are separated by a thin line of light brown. Side borders are a mix of cream and green-brown. On the front, along the top edge is a strip of gold coloured cotton twill. Blue 'Salish Weaving' tag sewn to back.