Stencil set showing a person crouched down, wearing a protective suit with respirator, and holding a large syringe. Stencils installed as a set of six: two rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.

Stencil set showing a person wearing a protective suit, bent forward, in partial profile. Stencils installed as a set of nine: three rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.

Stencil set showing a person wearing a protective suit and respirator, slightly bent forward, with his hands/arms partially raised. Stencils installed as a set of nine: three rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe and black.

Stencil set with outlines of aerosol paint, showing a person wearing a protective suit and respirator with hands raised above head ("hands up, don't shoot" position). Stencils installed as a set of twelve: four rectangles stacked, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe and black.

Stencil set showing a woman in partial profile pointing a rifle to viewers right. The woman wears a wrap on her head, blouse, long skirt and sandals. Stencils are installed as a set of twelve: three layers deep; three rectangles high in one stack (parts a-c, e-g, i-k) with additional rectangle at the upper right (parts d, h, l), showing the end of the gun. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.

Large painted ceramic pot decorated with birds and floral motifs. The pot stands on three curved hand-moulded feet and has similar handles. The pot curves out from the base and has a thinner neck and an upturned lip at the mouth.

Wooden panel covered in plaster or gesso and painted. Tabla shows people in local traditional dress being burned alive in a bonfire. State police in camouflage are also shown in the scene. The text states that the painting shows the extrajudicial execution of supposed ‘Shining Path’ insurgents. Among the executed are numerous innocent local Ayacuchans.

Wooden panel covered in plaster or gesso and painted. The tabla shows the Peruvian State forces confronting ‘Shining Path’ guerrilla insurgents in the high plains of Ayacucho. The image shows men in Sinchi uniform as well as people in local traditional dress. A low flying helicopter painted with state camouflage is firing on everyone. The image is of destruction and bloody death. However, it also contains images of the local landscape that show continuity in painting style from the house beams (3289/60-61); a dog steals a piece of meat from the fire, chickens roam the hillside. This is the culmination of the armed conflict and shows the confusion involved in the identities of attackers and victims.

Painted house beam. Slice of a tree trunk, covered in plaster on the front, with the bark left on the back. The part that has been plastered is painted with natural pigments. The beam would be read bottom to top. At the bottom is one of the patron saints; the Virgin of Asuncion. In phrases divided by various patterns, such as flowers and llamas, the beam depicts a range of daily activities such as sowing seeds and weaving. The persons represented are named in writing. At the top of this beam is the sun.

Large painted ceramic pot decorated with birds and floral motifs. The pot stands on three curved hand-moulded feet and has similar handles. The pot curves out from the base and has a thinner neck and an upturned lip at the mouth.