Necklace made of seeds threaded onto black string through their ends. The beads are dark red and there are some separations between the beads, making the thread visible.

Rectangular shaped tunic made of pounded barkcloth from fig tree bark. Hole cut in centre for head, and reinforced with some orange stitches. The tunic is predominantly covered in jaguar print markings, which are a deeper orange-red on the back. There are small human figures and a bull(?) on the chest, also a circle with five points inside, four in a square and a central point. This design is similar to traditional ceremonial xikules (large circles with a central point). The bottom central line of the tunic is painted with water droplets.

Necklace made of seeds threaded onto black string through their centres creating a stacked effect. The beads are dark red.

Heavy, ceramic articulated female doll mould. The arms and legs are tied to the torso with fibre thread, the ends of which extend out from the thighs and shoulders as tassels. The doll is shown as wearing a hat, with short curly hair. The left hand is broken/separate.

Devil costume mask. Black fake fur is stuck to the face, which is also painted purple. The nose resembles a black devil-like creature with a tongue hanging out, with a similar reddish-brown creature extending from the chin. Attached to the mask are two pairs of natural horns. A small animal pelt, possibly deer, hangs from the back of the mask. A pair of serpents and a pair of pumas are carved and jut out of the sides of the mask. Horse hair(?) extends down from the chin. The interior is lined with brown cord fabric, and has bungee cord strung through eye-hooks.

Long leather jacket made of strips of dark brown leather. The edges of the pieces of leather are scalloped, punched and stitched together with white thread. The jacket is open, and has a single tie at the neck.

Devil costume mask. One eye is a mirror, the other is painted and bloodshot. Fake brown fur is stuck to the face. The mask has three pairs of horns, one red, white, and the largest pair are painted red, green and white (the colours of the Mexican flag), and one single horn painted yellow in the centre of the forehead. Three demon-like figures protrude from both sides of the mask. There is a larger central demon that comes out from the chin area. In place of a nose is a large carved boar.

Round, deep bowl, unglazed and painted with leaves and flowers, repeating swirls and diamonds. The pot stands on three hand-molded, rounded feet.

Textile showing a narrative built using coloured hand-embroidered cross-stitching on a metre-squared piece of white linen. The embroidery is confined to a hexagon shape at the centre of the fabric. The narrative works around the cloth, beginning with a depiction of the sowing of maize in a Yucatecan milpa (maize field) when Veronica (the maker) is a child. The milpa is shown, as is Veronica with her grandfather. They kneel before an altar upon which 9 maize kernels are placed. The later scenes show the embroiderer in her house eating with her family, they show her learning to embroider with machine. The connecting images are of birds and floral patterns typically used for traditional dress (the textiles Veronica’s mother is teaching her to make). The final scene shows a religious procession in Abala. In the background are adverts on the walls of Abala, showing the emblem of the PRI (Partido Revolucionario Institucional).

Finely woven traditional men’s hat, made from toquilla palm (jipi). Hat has a moderately wide brim, with a slightly upturned edge, and a tall rounded top.