A flat circular lobed-edge metal piece. Four flying goddess designs in relief around the plain boss handle in centre.

Square box (part b) with truncated corners and a lid (part a). Tray (part c) and food dishes (parts d-l) of various shapes inside. Decorated in red, black, and gold colours. Designs: vase, peony, and plants. Leaf and key border. Twelve pieces.

A hanging scroll painting of a priest meditating in a landscape setting. There are five vertical rows of black characters with a red seal at the top and another red seal at the opposite corner. Modern and polychrome. Includes five lines of poetry and dedication on the back. The painting has a cream-coloured border of patterned fabric. There is a semi-cylindrical rod at the top with a yellow cord bound by metal wire and cream-coloured fabric with a blue-grey ribbon. There is a cylindrical fabric covered rod weight at the bottom.

A vase (part a) that is square in cross-section with round base and neck. Panels of "pa kua" or trigrams in relief. Thin yellow glaze. With wood stand (part b).

Ivory-coloured ceramic Buddha figure (part a) with thin glaze. He has no hair. He has big ears and a smiling face. He is sitting with his right leg crossed in front of him and his left leg bent out in front. He is holding a string of beads with left hand which is resting on his left knee. With wood stand (part b).

A bottle-shaped vase (part a) with one central neck and four others clustered around it. Oxblood red glaze. With circular wood stand (part b).

Seal carved from one piece of ivory with a square base. Carved with five-clawed dragons. Clouds surround the dragons. All are carved into the upper portion of the seal in the recessed areas of the carving. Six Chinese characters, 乾隆御覽之寶 (Qianlong yulan zhi bao; treasure admired by his Majesty the Qianlong Emperor) carved into the underside of the base.

Green jade mace shaped like a curving stick with a flat, wide, folded end. Mace is covered with carved design of persimmon fruit and branch, and fungus in high relief.

A flat slightly elongated oval-shaped jade panel with a pine tree and bamboo design. (Part b is the rectangular wooden stand.)

Arcing, white segment of tusk intricately carved into a landscape with figures and houses in complex vignettes (part a); figures are fully carved in three dimensions. Tusk's point and base rest on a red-stained wooden stand (part b) with two feet at each end.