Two figures representing a man, and a woman playing oware game which is in between them. The figures are sitting on a cylindrical object tapering upward. The knees are bent so that the legs are angled frontward and outward. Their hands are extended outward toward the game. Clothes are of a lighter wood colour than the body. Carved in pieces which are then glued together. On a wood base.

A wood print block with a stick handle. Design consists of an alternating pattern of three and four small two-halved sectioned leaves, adding up to twenty-one leaves in total. Carved with chisel and saw.

A pair of embroidered panels (parts a-b) with a panelled design mounted on paper. The design is consisting of a human at the centre wearing a yellow coat over a garment that has a diamond-shaped pattern with multi-coloured stars within. He is holding an open blue fan, and he is surrounded by a butterfly on all four sides. Above him, there is a flower within a scallop-like shape. Below him, there is another flower in an urn-like shape. The border has sections of a hexagon-shaped pattern with multi-coloured stars within, between which, there are sections of flowers and a temple at one corner. Outlined with orange and olive green.

Collar with embroidered designs on rows of flaps. There are five rows of flaps fanning out from a decorated band. The top row is teardrop shaped with floral motifs on blue ground, edged with blue. The second row is half ruyi shaped with floral motifs on purple ground, edged with purple and blue. The third row is teardrop shaped with vase motifs on yellow ground, edged with blue. The fourth row is teardrop shaped with vase motifs on orange ground, edged with purple. The last row is half ruyi shaped with bird motifs on turquoise, purple and orange ground, edged with blue. The back is lined with blue-green damask silk.

Green and gold tablecloth with embroidery. The centre panel is gold with flower motifs in gold, blue, green, yellow and orange. The border is green with floral motifs in the same colours. The backside is lined with white silk.

Standing wood figure (ibeji). Head is capped with a bright blue pigment on the conical headdress. Cap is decorated with diagonal ridges. Seven tribal scarification marks on the cheeks, four of which are horizontal while the other three are vertically above the horizontal. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are large. Stands on circular pedestal. Beads around neck and hips. Covered with red camwood paste.

Mask depicting a horned figure painted black with one red and one white eye as well as a curved nose-like ridge running vertically down the centre of the face. The tips of the horns are painted white, and there is a red line running down each horn from the white tips.

White human male mask with a blue moustache and eyebrows and red eyes and mouth. Style is naturalistic.

Rectangular cotton textile with long threaded fringe on each end. The design is plaid in white, red, green, brown and black.

Rectangular shape, natural coloured cotton textile made of seven stripes sewn together; six run horizontally, one vertically. The textile is undecorated.