Print depicting people resting under a tree. There is a path and some buildings in the distance. A bird house on a long pole is in the corner near the foreground. Print of Fukuroi Station (#27). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " FUKUROI The shadow of the large tree along the road is a fit location for this tea house. The four figures seem to have walked straight out of the previously mentioned novel 'Hizakurige.'" There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting people crossing a bridge. There are mountains, a body of water, and rice fields in the background. Two lanterns, one pink, and one yellow are in the foreground. Print of Kakegawa Station (#26). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: "KAKEGAWA After the traveller [sic] descends from the mountain, there is a plain extending for some miles. The beginning [sic] is called Kakegawa. This print is considered one of the best in the Takaido series." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting a cluster of houses near the shore. There are men pulling and pushing a cart on a bridge that leads into the town. Print of Hodogaya Station (#4). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. The cover page has a printed inscription that reads: " HODOGAYA Now included in Yokohama City. This hilly town, with its many narrow canals has changed little since Hiroshige's time." There are Japanese characters at the top, to the side, and at the bottom of the printed message.

Print depicting people on a boat heading to shore. On shore there is a village with people and livestock walking near the shore. The village is denoted by trees and groups of buildings. There is a mountain in the far background. Print is of Kawasaki Station (#2). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: " KAWASAKI Now a centre for heavy industries between Tokyo and Yokohama. In olden times people crossed the Rokugo Rover by ferry boat. The modern iron bridge at Kawasaki now bears no resemblance to this print. Upstream, however, one may find a similar view." There are Japanese characters at the top, bottom, and side of the printed message.

Print depicting a group of men carrying boxes and baskets over their shoulders while crossing an arched bridge. Image of Nihonbashi Station (the departure point). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy," from Nihonbashi to Kyoto (Hoei-do edition). The print is mounted on a white-yellow piece of paper and has an additional cover page that flips up. Cover page has a printed inscription that reads: "NIHON-BASH Fifty-five prints depict the post stations between the starting point of the Tokaido at Nihonbashi in Yedo or Tokyo and its end at Sanjo in Kyoto. Distances from Tokyo are still officially measured from this ancient starting point." This inscription is accompanied by Japanese characters on the top, side and bottom of the printed message.

Salmon with wolf centre mask. Mask is composed of a cut face of a wolf with two red pointed ears, cut out angled eyes, cut out nostrils, and slightly open cut out mouth with green hair painted around it. The animal face also forms the side-view of the body of a salmon with eyes painted grey, a red carved mouth and gill, and fins and tail painted with grey lines. Two surrounding curved wood sticks are attached to the mask along the sides with four pegs. Six black feathers are attached all around the mask through the two surrounding curved wood sticks and have a wood ornament attached at their ends, starting from the top, clock-wise: fish, fish, fish, fish, duck, and duck.

Mask with male face and eleven wood ornaments. Symbolizing water, heaven, and earth. The mask is painted with stylized black eyebrow, eyelashes, moustache, and goatee. The small eyes, nostrils, and slightly open mouth with teeth, are cut out. Two surrounding curved wood sticks are attached to the mask along the sides with four pegs. Eleven black feathers are attached all around the mask through the two surrounding curved wood sticks and have a wood ornament attached at their ends, starting from the top, clock-wise: fish, peg, hand, peg, fish, foot, foot, fish, peg with fluffy white feather, hand, and peg with fluffy white feather.

A rectangular metal plaque with a wood frame having rope for hanging. One side has characters telling about life of Sakyamuni Buddha. Opposite side has Sakyamuni in seated position surrounded by guardian king, priest, and scholars. All in relief. Dark finish.

A square metal mirror with twenty characters on one side, in relief. Part b is a stand (in storage), of carved and stained wood.

Full length standing female figure, traces of colour red on light clay. Her hair is tied up in an elaborate bun at the top of her head. Her right arm is resting at her side. Her left arm is bent at the elbow so that her left hand can rest on her rounded stomach where she is holding an object. Her clothes are draped around her shoulders with her neckline visible.