Figure with a vase-like shape depicting a heart. At the top is a roughly rectangular shape with indented parallel lines that extend from front to back, and below this is an oval shape (as viewed from the top) that joins to an ovoid. The ovoid has a design on both sides consisting of two indented lines that form a v shape and a horizontal indented line at the bottom of the v. The ovoid is flanked by triangular protrusions, each with four parallel indented channels on the sides. Glazed in light green.

Mask depicting a laughing human face which represents Sanbasō (三番叟; third okina elderly person), also known as Kokushikijō (黒色尉/黒式尉; black okina). The mask has an open mouth, white chin beard, eyebrows, and moustache made of hair. The face is dark brown with red lips as well as eye, nose, and mouth openings. It has a movable chin (切顎; kiriago) connected by white cords. An "A" is inscribed inside, at the side of the chin.

Hook (part c) attached at the end of a long pole (a). Pole is an elongated tube; one end is closed with an iron ring attached through a hole; a three dimensional iron fish is attached by a chain to a protruding, curved piece of iron attached at the open, bottom end of the pole. An iron rod (part b) projects from the bottom, open end of the tube, impaling the metal fish through the head; an iron hook (c) is suspended from a knob at the end of the rod (b).

Cylindrical, light beige-coloured woven basket with a flat bottom and straight sides--geometric patterning in pink, red, purple, yellow, orange and blue encircles the sides.

Figure depicting the god Amun, with feather headdress composed of a short cylinder bisected by a bar that runs across it from side to side. He is depicted holding an object in his right hand that extends from his mid-chest to his right shoulder. His other arm is at his side and he is wearing a skirt-like loincloth. His left leg is in front of his right.

Bronze cup with a flat base; pear-shaped body widens markedly toward top; no neck; flat, everted rim; flat, narrow ribbon handle rises well above level of mouth and is attached to rim and lower portion of body. Base badly corroded.

Athenian black glass table amphora. The jar is made of light red-brown, very fine-grained clay with fine gold mica. Lustrous black glaze over entire surface except for angular moldings, oval shaped body with sharp carination at top where body curves inwards to meet neck. Short tubular neck, blaring trumpet rim, graceful handles follow the outline of the neck before curving out and downwards to join the shoulder.

Bronze oinochoe with a flat, slightly raised ring base. Neck is separated from body by a marked shoulder. Short, narrow neck; large, flaring trefoil mouth. Large, narrow, concave handle curves inwards above rim before falling vertically to shoulder; terminates at base.

Carved dark brown wood shaped like elongated pear in transverse cross section. Wider end hollowed to form a bowl-like depression. Inserted vertically through narrow end is a wheel with a cleft deep cut around its perimeter, .9 cm. from each side. Wheel mounted on brass axle with brass handle projecting 4.3 cm. from one side. Traces of thread in cleft. Hole lined with white glass tube bored through from wheel to inside bowl with similar hole opposite from inside to outside of bowl. Around outside of bowl are carved dragon and cloud shapes.

Clay askos made of cream, fine-grained, hard-fired clay with very smooth surface to the touch. It contains a small quantity of white and dark grits and medium-sized flakes of silver mica. Black paint, lighter at the edges, fairly thick with a slight gloss. Low ring foot, elongated globular body, narrow neck with flaring rim at one end on top and slightly upturned spout at tail end. A strap handle joins spout to mouth. Decoration consists of three horizontal bands on lower portion of body and paint on tip of spout, mouth and top surface of handle.