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Lively Conversation2016.103.7

Gift of Lillian Pitt.

Culture
American, Warm Springs, Wasco and Yakama
Material
rives bfk white paper
Holding Institution
Portland Art Museum
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Rabbit Dance2016.103.6

Gift of Lillian Pitt.

Culture
American, Warm Springs, Wasco and Yakama
Material
paper
Holding Institution
Portland Art Museum
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Little Opossum Girl2015.168.1

Gift of Phyllis Koven.

Culture
American, Warm Springs, Wasco and Yakama
Material
clay and glass bead
Holding Institution
Portland Art Museum
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Visitors2015.150.1a,b

Museum Purchase: Funds provided by bequest of Elizabeth Cole Butler by exchange.

Culture
Wasco, Warm Springs, American, Yakama and Interior Salish
Material
encaustic print
Holding Institution
Portland Art Museum
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Ancestor From N'chewana2013.100.1

Gift of the artist.

Culture
American, Warm Springs, Wasco and Yakama
Material
anagama fired clay and cedar wood
Holding Institution
Portland Art Museum
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Dancing in the Wind2006.54.4

Gift of Allan and Lenore Sindler.

Culture
American, Wasco, Warm Springs, Interior Salish and Yakama
Material
clay, bead, wood and wire
Holding Institution
Portland Art Museum
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Coyote2005.71

Gift of the J.A. Courtneys.

Culture
American, Wasco, Interior Salish, Warm Springs and Yakama
Material
clay, glass bead and metal bead
Holding Institution
Portland Art Museum
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Man-In-Conflict93.58.21

Gift of Lillian Pitt.

Culture
American, Wasco, Interior Salish, Warm Springs and Yakama
Material
mixed medium
Holding Institution
Portland Art Museum
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Coos Stick Indian2006.54.3

Gift of Allan and Lenore Sindler.

Culture
American, Wasco, Warm Springs, Interior Salish and Yakama
Material
raku, feather, bead and wire
Holding Institution
Portland Art Museum
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Wasco Totem2000.34

Lillian Pitt is a local Native American artist whose work reflects her Wasco heritage. She did not become an artist until age 38 when she began working with clay. Now, Pitt works with a variety of materials and is a renowned sculptor, jeweler, and printmaker, as well as an advocate for Native American art. She is especially well known for her masks and other small clay figures that are inspired by the stories of her people that she was taught as a child. The petroglyphs along the Columbia River and other traditional Wasco images have also served as a major source of inspiration. In Wasco Totem, Pitt has created clay forms with traditional Wasco motifs that are similar to those found on baskets, beadwork, and stone carvings. These clay pieces are then assembled on a rough-hewn board and attached with brass nails and wire. The result serves as a monument to the Wasco people. The similarity of the image to a crucifixion also refers to the tremendous struggles that the Wasco and other Native Peoples have endured.

Culture
American, Wasco, Warm Springs, Interior Salish and Yakama
Material
anagama fired clay, cedar wood and copper metal (wire)
Made in
“Plateau” ?
Holding Institution
Portland Art Museum
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