The paper is white. The ink is black, red, and blue.

The ink is black and red.

The paper is white. The ink is black.

Spirit of the Ancestors-As a young child, my father and uncle took me down to a river and placed some devil's club in the river: it would bring them luck by charming the fish. This print is my equivalent of that charm. I have included four salmon to raise the consciousness to our incredibly beautiful environment. The salmon symbolizes such disappearances and the heron as a 'fisherman' became a metaphor for all of us - watching and waiting. - Lyle Wilson

The paper is buff. The ink is black, blue, and red.

The paper is buff. The ink is black, red, blue, yellow, and green.

Scaled down model house front with painted designs. The panel is rectangular with an upper centre peak. There is a lower oval opening painted black (representing the original opening). The designs feature ovoid shapes and bird motifs in black and red on a plain wooden ground. There are red borders on the sides and top.

Silver bracelet consisting of an outer surface covered entirely with carved design and crosshatched detailing. The image consists of two figures (one with a salmon headdress on its head) paddling a canoe with an eagle design on the side. In the centre is a large sun with a profiled figure in the middle and rays emanating from it. In the right corner is a human head in profile blowing wind towards the canoe. The bracelet has squared ends. There is an inscription on the back reading: ‘Gilwa Wawas, Lyle Wilson, ‘96’.

Rectangular wood panel with a painting of killer whale in a vertical position that has the head at the top. Piece of wood in right side has been replaced (adhered in place by the artist). There are eye hooks on back of panel. Design is done in red and black. The killer whale is facing to the left side. In red, at the lower right corner, the signature reads 'Lyle Wilson'.

Rectangular wood panel with a painting of two salmons. Large knot in the wood at the side (entire edge has been left unfinished). There are eye hooks on the back of the panel. Each salmon is placed in an approximately vertical position with one 'swimming' upward while the other is 'swimming' downward, each being head to tail and 'swimming' counter-clock-wise. Design is done in red and black. In red, at the lower left corner, the signature reads 'Lyle Wilson'.