Rectangular wood panel with a painting of a frontal raven design. The raven's head is in profile. The design is red and black on plain wood. There are eye hooks on the back. In red, at the lower right corner, the signature reads 'Lyle Wilson'.

Rectangular panel with a painting of a front facing beaver design. Left side has a natural indentation in the wood (where a knot used to be) and the entire side has been left unfinished. There is a knot in the wood above the beaver's head. A piece of wood has been replaced in the right side (adhered in place by the artist). There are eye hooks on the back of the panel. Design is done in red and black. In red, at the lower right corner, the signature reads 'Lyle Wilson'.

Carved silver pin in the shape of a raven with inlaid abalone shell in the eye, wing, and tail. Clasp attachment on the back of the pin. There is also a silver loop attachment on the back to enable its use as a pendant.

Black and white engraved intaglio print. Cross-hatching fills the negative spaces, creating a black background with white figures. Designs on figures are also in black. Main figures are a large raven, three men, and a sun with another figure trampled on the ground. Raven has an arrow-shaped tongue while men have long, curling, extended tongues. Depressed area around image caused by printing plate is approx. 0.4 cm. wide. Inscription is written in pencil below image and reads 'Artists Proof V/V "Raven & the First Men: Overlooking Wreck Beach" Lyle Wilson 09/28/99'. The print is on a horizontally rectangular, white paper piece.

Silver cuff-style bracelet with engraved and crosshatched design covering entire outside surface. Inside is plain except for inscription: "art-4-FACT" Lyle Wilson 04/24/88".

Silver bracelet carved with a central, salmon design. The whole surface of the bracelet has a net-like design consisting of a braided, diamond shaped pattern with a repetitive, wave design in between each. The bracelet is oval shaped and the rounded ends do not meet. There is an inscription on the back reading: “The Lonely Salmon”, Lyle Wilson ’97.

Wolf headdress carved from yellow cedar. Natural wood with black and red-brown details. There is a row of alternating coloured cut-out circular shapes raised above the top of the head and U-shaped designs projecting from the back. The teeth behind the incisors are cut out.

Light yellow-brown humanoid mask with long tufts of black hair, a movable jaw with prominent teeth, movable eyeballs, and rabbit ear-like protrusions on the top of the head. Mask is sparingly painted with red and black.

A black beaver in a circular position with the head touched by the tip of the tail. The face is at the base of the tail. Cross hatching and ovoid designs used throughout. The etching is on a vertically rectangular, light brown paper piece.

A black triangular shaped design consisting of a head in the centre with arms and hands extending at either side along each of the three sides. Cross hatching and ovoid designs. The etching is on a relatively square light brown paper piece.