Kente cloth composed of twenty-two hand woven cloth strips, forming ten rows. Four strips span the entire length of the textile, six rows consist of three shorter strips. All have embroidered designs overtop. Each strip has a repeating stripe pattern; done in orange, light blue, white, light purple, dark blue, and red. The six shorter strips along the right side are attached to the cloth upside down, causing the pattern to break in the bottom corner. The embroidered designs cover the entire cloth, except the left edge. The designs consist of rectangular blocks, plain stripes and ladder-like stripes; done in shades of yellow, green, red, white, orange, blue, and purple.

Kente cloth composed of twenty-three hand woven cloth strips. The strips have been stitched together along the long edge and have embroidered designs overtop. Each strip has a multi-coloured checkered pattern; done in black, yellow, red, green and blue. The embroidered designs in the centre of the cloth consist of rectangular blocks, plain stripes, ladder-like stripes and geometric motifs; done in dark yellow, black, dark red, blue, green, and light orange. Left and right edges are covered entirely in embroidery, consisting of a rectangular block design. Blocks are filled with horizontal and vertical stripes, checkers, and parallelogram-like shapes; done in dark orange, dark red, dark yellow, green, yellow, dark blue and light pink. Tag attached to back bottom right corner.

Large ndop cloth composed of twenty panels sewn together with plant fibre. The indigo-dyed panels have been stitched together along the short edge and have off-white designs throughout. Designs are done in vertical bands and filled with geometric and linear motifs. Motifs include: abstract interlocking “X” shapes, dots, zigzags, concentric diamonds, segmented circles, grid-like patterns, and connected lines.

Lightbox photograph. Large digital photographic print mounted inside a painted, wood-framed lightbox, painted black. Print depicts three figures wearing grey camouflage on a mountainside. The mountainside stretches from the top left to the bottom right corner of the horizontal print. In the other half of the image, the cloudy sky is shown and another trapezoid-shaped mountain is visible in the background. The three figures are spaced evenly along the mountainside and are shown in profile. The figure higher up the slope is sitting with knees bent, head down and arms circling their knees. Figure in middle is most in focus, shown kneeling on the ground, head bent forward, with their arms stretched out in front. The figure towards the bottom of the slope is sitting with their back to the camera, with their head tilted down, leaning back on their right arm. The mountainside is covered in an assortment of grey, brown and white rocks, and pieces of obsidian.

Hand-pulled linocut print depicting a female dancer standing in the sea, with mountains and a cloudy sky in the background. Dancer is wearing a shawl, shirt and knee-length skirt; hair is down and she is barefoot. Head is tilted and right hand is raised to her ear; left hand is held out to the side. Wide curved lines extend from around her hands, touching the edges of the print. A lightning serpent is depicted below her in the sea; shown in profile. Along the bottom edge of the print the edition number, title and artist signature are written in pencil.

Woodblock layered print depicting a female dancer wearing a headdress of a female lightning serpent; dancer is also being led by the supernatural being. Figure is wearing a shawl with circular motifs, short pants and tall boots. Large white circle behind dancer's face; filled with curved rows of dots and trimmed with plain bands and dots. In bottom right corner of print, there is a row of dancing women; heads are tilted down, left hands are raised and right are at sides with their palms down. All are wearing shawls, shirts and knee-length skirts. Wavy bands stretch across print; bands are either plain or filled with circular motifs. Small lightning serpents throughout background; circles with star-like shapes in their centres throughout background. Print has a yellow background with designs overtop done in black and white. Along the bottom edge of the print is the edition number, title and artist signature are written in pencil.

Head of a female Bunraku theatre puppet (part a) with stand (part b). She has a white oval-shaped face, long white neck and elaborate black coiffure. She has a wide nose, large light grey eyes and her eyebrows are light blue. Her lips are painted dark red, teeth are black. Her hair is pulled back into three buns. Front bun is secured with cord, and the centre bun is held in place with a kushi (comb) and kogai (hair tool). Both are made of black lacquered wood with iridescent plastic decorations embedded in them. Designs are floral and coloured red, light purple, white, light pink and light blue. The bottom bun is secured with a two-pronged, gold-coloured metal hair pin. The top has a circular medallion with a floral motif. The head is attached to a wooden rod with a handgrip. Two cords, with toggles, run through the grip, and into the head, to control neck and eye movement. The grip fits into a wooden stand (part b), supporting the head at an angle.

Large three-headed bark cloth dance mask. Central head extends from dome-shaped headpiece. Identical smaller heads jut out from either side of its neck. They all have large semi-circular foreheads, wide round eyes, long straight faces, and thin protruding lips. Mouths are open and have large curved circles attached underneath. Entire mask surface is painted white with stylized triangular and circular motifs done overtop in black and red. Black rectangular panels painted across backs of heads and across headpiece. Panels are filled with triangular, linear and floral motifs. Mask frame made out of bamboo rods, bent and tied together.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Mushroom-shaped, bark cloth pubic cover. Consists of a bamboo cylinder, wrapped in bark cloth and secured with plant fibre, and circular head. Cylinder extends from back of cover. Structure of head formed with an inner strip of bamboo. Front is painted white. Cylinder is visible from front, in centre, and painted red, with a matching dotted line bordering it.