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Ram Mask3416/1

Wooden painted mask of a ram. Thin, tapering face with O-shaped mouth, long ears and curling horns. Semi-circle design on top centre of head, painted a dark black-brown. Circle is decorated with diagonal and vertical incisions. Two columns of squares carved in low relief down centre of semi-circle. Two thin columns of rectangles, carved in low relief, run down centre of face, in between the eyes. Eyes are narrow and vertical, with raised edges. Done in white. Face is painted dark maroon. Horns are done in dark brown-black with the curled ends made of sheep horn, painted white. Ears of ram, hanging down between the face and horns, flare outwards from the face and are made of sheep horn, painted white. Two oval-shaped nostrils are above the mouth, with raised edges. Areas around eyes, mouth, nostrils and entirety of horns are painted dark brown-black and have incised decorations across them. Mask has small hole for mouth. The back rim of the mask is unpainted and has two holes along the top for ties.

Culture
Baule
Material
wood, paint and sheep horn
Made in
Cote d'Ivoire
Holding Institution
MOA: University of British Columbia
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Ram Mask3416/2

Wooden mask of a ram. Thin, tapering face with O-shaped mouth, long ears and curling horns. Semi-circle design on top centre of head decorated with diagonal and vertical incisions. Two columns of squares carved in low relief down centre of semi-circle. Thin columns of rectangles, carved in low relief, run down centre of face, in between the eyes. Eyes are narrow and vertical, with raised edges, and painted white. Mask is dark brown-red and highly polished. Curled ends of horns are made of sheep horn, painted white. Ears of ram, hanging down between the face and horns, flare outwards from the face and are made of sheep horn, painted white. Two oval-shaped nostrils are above the mouth, with raised edges. Areas around eyes, mouth, nostrils and entirety of horns have incised decorations across them. Mask has small hole for mouth. The back rim of the mask is plain and has two holes along the top for ties.

Culture
Baule
Material
wood, sheep horn and paint
Made in
Cote d'Ivoire
Holding Institution
MOA: University of British Columbia
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Alice Through the Looking Glass3424/1

Ceramic sculpture of a book standing on end, opened. The cover is decorated with dark blue flowers and swirling vines with a dark yellow spine. The front cover has a white rectangle, which reads 'Alice Through the Looking Glass / And What She Found There', with a black and white drawing of Alice with her hands held together behind her back, looking away. Leaning against the back cover is a figure of a Jabberwocky or dragon-like creature, with its long neck and wing draped over the top of the book, and its other wing and claws reaching around the side. Within, the open pages have a heavily crosshatched drawing of a room with an armchair off to one side, and a fireplace mantel on the other. The upper corners of each page curl forward, revealing writing from the book. Standing in front of the open book is a tall, bright green chest with many small red drawers, some of which are open and have various figures emerging (chess pieces, creatures, flowers). A figure of Alice in her blue dress, white apron and long blonde hair, is facing the dresser. Her face is seen reflected in the mirror on the chest. Next to her, sits a black cat with a red ribbon around its neck. The sculpture's base is a closed book with a dark red cover and dark green spine, which reads 'Alice's Adventures in Wonderland. Lewis Carroll. Illustrations by John Tenniel'.

Culture
Canadian
Material
stain, glass, metal, clay, acrylic paint and glaze ?
Made in
Vancouver, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Altar3416/5

Wooden double triptych altar, or icon, with paintings inside. Rectangular in shape with tiered feet protruding from the bottom corners. Designs carved on front and back of altar, including interlocking lines, abstract crosses, and an archangel. The archangel is on the back of the altar, with its head and wing tips visible from the front. It is carved in high relief and is holding an upraised sword in its right hand and a staff in its left. There are dot motifs throughout the archangel’s robes. Written characters are carved in high relief in the bottom left corner. Two sets of hinged doors on the front side, secured with string, open outward, with paintings on them and the altar interior. Two panels on each door for both sections. In the top section there are two long paintings on the altar interior, in the bottom section there are two columns of two paintings. The background is done in orange and yellow. Plain black lines divide each panel, with written characters, also in black, in each panel. All figures in the panels wear plain robes, done in red-orange, blue, light green, white and grey. The images of Christ and the Virgin Mary have halos of orange and yellow painted around their heads.

Culture
Ethiopian
Material
wood, paint and fibre
Made in
Aksum, Ethiopia
Holding Institution
MOA: University of British Columbia
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Altar3416/4

Wooden triptych altar, or icon, with paintings inside. Rectangular in shape with rounded top. Designs carved on front of altar, including geometric and linear motifs. Hinged wooden doors, secured with string, open outward, with paintings on them and the altar interior. Four panels on each door, two columns of four painted panels on the altar interior. The paintings depict Christian-themed scenes, including primarily: the crucifixion of Christ (centre), the coronation of the Virgin Mary (left), and Christ, with his apostles, performing miracles(?) (right). Background of all paintings done in orange and yellow. White lines, with squares throughout them, divide all panels. Christ is wearing red-orange outer robes, with blue-grey and white-grey inner robes, in majority of panels depicting him. Blue-grey inner robes have yellow dot motifs throughout. There is a ring of orange and yellow painted around Christ’s head in all panels. Christ and his apostles all have dark hair, Christ with a matching beard and the apostles are clean-shaven. The Virgin Mary is wearing dark blue outer robes, with yellow dot motif throughout, and a red-orange inner robe, in all panels depicting her. Red string knotted through bored hole on top of altar.

Culture
Ethiopian
Material
wood, paint and fibre
Made in
Aksum, Ethiopia
Holding Institution
MOA: University of British Columbia
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Altar3416/3

Wooden triptych altar, or icon, with paintings inside. Rectangular in shape with a tiered triangular protrusion on top, in centre. Top tier is concave. Designs carved on front and back of altar, including angels, abstract crosses, geometric and floral motifs, and interlocking lines. Hinged wooden doors, secured with string, open outward, with paintings on them and the altar interior. Three painted panels on each door and on altar interior. The paintings depict: the crucifixion of Christ (centre top), Virgin Mary seated in majesty afoot the devil, surrounded by archangels (centre), and Christ with his apostles (centre bottom). Background of all paintings done in orange and yellow. White lines, with black lines through them, divide all panels. Christ, apostles and archangels are all dark-haired, the apostles and Christ with matching beards, and wearing robes of red-orange and blue-grey. Red-orange robes have yellow dot motifs, blue-grey robes have red dot motifs. Christ has an orange and yellow ring around his head in all depictions. Archangels are holding swords and have feathered grey wings with red and yellow dot motifs throughout. Mary is depicted throughout the paintings wearing dark blue outer robes and red-orange inner robes, both have yellow dot motifs throughout. In the centre painting she is wearing a crown and holding a sceptre. In the side paintings, on the door interiors, Mary is depicted with a dark blue head covering. String knotted around triangular protrusion on top of altar.

Culture
Ethiopian
Material
wood, paint and fibre
Made in
Aksum, Ethiopia
Holding Institution
MOA: University of British Columbia
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Sawmill Bottle3424/2 a-b

Tall six-sided bottle, with lid (part b). Each side has a panel with three images - the top and bottom generally feature a building, sometimes with a large bird. The centre image is a framed machine. The edges and top of the bottom are decorated in blue - repeating V's creating a vine, and small repeating arches around the mouth. The lid has a ceramic handle painted to appear metallic. Around the handle reads, '1906-1990 IVAR KAROLUS LUNDGREN'. The artist's signature is on the base.

Culture
Canadian
Material
clay, paint and glaze
Made in
Vancouver, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Beer Pot3434/1 a-b

Round, burnished, black pot with a side by side double diamond design carved around the sides three times. Each diamond is composed of rows of smaller raised diamonds. The form is globular, with a flat circular base, and wide circular mouth. A round, woven basketry piece (part b) fits over the opening as a cover. The cover is woven in a coiled design.

Culture
Zulu
Material
clay and plant fibre
Made in
Natal, South Africa
Holding Institution
MOA: University of British Columbia
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Chilkat Pattern Board3379/1

Painted wooded pattern board for weaving a Chilkat style robe. The panel is somewhat rectangular except for the bottom right corner which is cut off at an angle. There is a rectangular human-like face at the centre front, above which is an eye form containing a frog face. Below the rectangular form are two inverted eye forms, to the right of which is a foot with claws. Above, are two more eye forms. At the midpoint of the side edge is a rectangular profile human-like face looking inwards towards the centre. Back is undecorated.

Culture
Tsimshian
Material
cedar wood and paint
Made in
British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Pot3365/1

Dark brown, round clay pot with twin heads on top. Pot is glazed. The two heads have circular earrings and tall, brimmed headdresses that act as spouts for the pot. The heads are connected by the edges of their headdresses and at their ears. A third, smaller spout is behind the heads, in the centre back. Wrapped around the twin necks is a necklace with a low hanging pendant. Extending from the sides of the necklace are two arms, that wrap around to the front. The necklace and arms are done in high relief. In the circle of each arm there is a round protuberance. Across the entire pot there are various geometric designs made up of dots impressed into the clay.

Culture
Zande
Material
clay and glaze
Made in
Democratic Republic of the Congo
Holding Institution
MOA: University of British Columbia
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