Drawing reconstruction of an old Heiltsuk house-front painting, in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of two birds shown in profile, bodies facing the left side of the print. Birds are divided by a wide maroon border; short edges of drawing bordered with identical bands. Birds are crouched with their legs tucked in front, and wings spread out behind them; similar formline design elements throughout their interiors. Overall drawing has a rectangluar outline with a horizontal line through the centre, going overtop designs. Title, date made, and artist signature written in bottom right corner.

Drawing reconstruction of an old Heiltsuk house-front painting, in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of two medallions with human-like figures inside, bodies facing forward. Medallions are divided by a wide maroon border; short edges of drawing bordered by identical bands. Figures are crouched with arms and legs bent at sides, elbows resting on knees; similar formline design elements throughout their interiors. Overall drawing has a rectangluar outline with a horizontal line through the centre, going overtop designs. Title, date made, and artist signature written in bottom right corner.

Drawing reconstruction of a plank for a Tsimshian house-front screen in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of a raven's tail, and a large portion of the body; formline design elements throughout interior. Rectangle outline overtop drawing, imitating house plank drawing is based off of. Title and artist signature written along right edge of drawing.

Drawing reconstruction of a plank from a Tsimshian house-front screen in horizontal orientation, drawn in pencil and maroon pencil crayon (part a). Drawing is of the upper half of a raven's mouth and beak, and lower half of their eye; formline design elements throughout interior. Rectangle-like outline, with an angled right side, overtop drawing, imitating house plank drawing is based off of. Title and artist signature written along left edge of drawing. Part b is a related tracing of part of the drawing; tracing itself is shaped like a cuff-style bracelet. It depicts the same design as the drawing, but with additions to the raven's eye and beak. The tracing film is rectangular with an uneven bottom edge.

Drawing reconstruction of a plank for a Tsimshian house-front screen in horizontal orientation; done in pencil and maroon pencil crayon. Drawing is of a raven's ear, and the upper half of their beak; formline design elements inside ear. Rectangle outline overtop drawing, imitating house plank drawing is based off of. Title and artist signature written along left edge of drawing.

Unglazed and unpainted ceramic sculpture of a cacti garden, on a rounded mound. Back of mound is undecorated. Animals spread throughout garden, most along bottom edge. Animals include lizards, a rabbit-like creature, cat-like creature and snake. All animals are coloured beige, with dark orange highlights. Cacti type and size vary throughout garden, and are all coloured beige. Tree-like cacti have dark orange flowers along the tips of their arms. All design elements are textured, with impressed dots, incised lines and moulded ridges. Mound is coloured dark orange and has a small hole in the top centre. Large hole in the back of the mound. Artist signature on back.

Double-sided, unglazed and unpainted ceramic sculpture with an oval-shaped base and raised foot. Sculpture is triangular with a woman forming one side and a man the opposite. Female figure is wearing a dark orange veil, and scalloped headdress with a cross protruding from the top. A naked man is nailed to it, with a small sign above his head. The large female figure is wearing a long pink robe, with her hands held in front of her body, holding a pointed crown(?). Her robe has incised dots and raised floral and curvilinear motifs throughout. Her veil drapes down either of her body, in a trianglular shape, and is covered in raised floral and incised curvilinear motifs. In front of her, is a tall male figure, flanked on either side by six smaller male figures. All are wearing robes with raised floral and incised curvilinear motifs. The central figure has both hands raised up, the others have their arms crossed or hands held in prayer. In front of all of the figures, on the base of the sculpture, are plates, cups, a platter of food, and a jug. The male figure, on the opposite side of the sculpture, has a long moustache, pointed beard and curly hair. He is wearing a pointed headdress with a cross protruding from the top. A winged woman, wearing a crown, is tied to the cross. The large male figure is wearing a long robe, with his hands clasped in front of his body, holding a large flower. His robe has raised and incised curvilinear and dot motifs throughout. On either side of his body, the triangle sculpture is covered in raised floral and incised curvilinear motifs. Beneath him, there are two scalloped archways with a scalloped pedestal in between. A baby lies on the pedestal, with a man and woman on either side of him. Both are wearing capes and robes covered in raised floral motifs. The woman is wearing a veil and both their hands are held up in prayer. A horse and cow kneel next to them, looking up at the baby. In the two flanking archways are angels, wearing robes identical to the man and woman. In front of these figures, along the edge of the sculpture base, are three men wearing capes and headdresses, and holding offerings. The men on the sides are riding horses, the man in the centre is on an elephant. Throughout the scene are flowers. All figures, crockery, plants, and animals on the sculpture are beige, with dark orange highlights throughout. Artist signature carved along the sculpture foot.

Tall wooden cup with a deep bowl. There is a slight lip, and the cup slightly tapers inwards towards the centre on the outside edge with a raised horizontal band around the centre.

Sanjuan Mask. Wide face painted black. Small red downturned mouth and large flat nose. Strip of leather with some hair nailed horizontally across top of forehead with three nails. Single hole drilled on either side with yellow string attached. White collar extends from below jawline. Back of mask is unpainted.

Blowing Shaman Mask. Shaman has deep orbital sockets with holes for eyes, nostrils and the pursed mouth. The cheekbones are well-defined and the nose is carved in high relief. The face is painted red with black eyebrows and hair painted over. He wears a green, yellow, and white ringed collar. Drilled hole on each side for twine.