Roughly rectangular: bottom has unglazed shallow circular foot 7.3 cm. in diameter, showing light red-brown body; some splashes of light grey-green glaze in thick glassy drops. Broken edges of sherd vary from 1 to 1.5 cm. in thickness. Sherd curves shallowly upward in all directions from foot; finished piece possibly large plate. Upper surface painted in iron underglaze with a shrimp, incomplete. Grey-green glaze pitted and flawed, pools to white around slightly convex centre area.

The shape of this mask is triangular with two planes intersecting on the median of the face. The forehead is high and smooth. The forehead is overpainted by a thunderbird design in black and green with the bird's head on the mask's left side. The thunderbird has oval black eyes surrounded by a plain tapering oval and a green area, a cross shape in the ovoid nostril, and four green split u feathers. The black eyebrows of the mask are raised and extend from the nose to the back edge of the mask. The eyes are placed on the upper cheek plane, with no orb, under a projecting and sloping under-brow. The eye is shallowly engraved and its centre is a round hole. A black band is painted across the eyes with some unpainted patches showing through. The nose, from which the cheek planes slope, has black drawn-back hollow nostrils. Black and green split u thunderbird feather designs extend down the cheeks. Narrow black lips are pulled back and down showing twelve plain teeth. A ridge around the bottom of the mask, painted black in the middle, is the chin.

Carved, wood mask with a triangular shape coming to a point at the bridge of the nose. Bear fur spans the top of the mask and extends halfway down the back opening. The slightly raised, heavy eyebrows are painted black, extending from the back edges of the mask and meet at the upper nose. The eyes, set in a shallow recess on the plane of the upper cheek, are long and drawn out with a circular centre. The nose is long and narrow, with back thrust nostrils. Lips, painted red are rounded and drawn back, slightly parted. U-form designs on the forehead are painted green, blue and red; eyes are outlined in black with a red broken-line sunlight design above them; wave-like designs on the cheek are painted green and blue.

The shape of the mask is like a high triangle, two planes intersecting on the median of the face. The heavy eyebrows are painted black, but are not raised. The brow slopes and projects sharply above the nose. Each eye is set in a concave orb in the mask. The eye is made up of a painted white ring surrounding a round hole (2 cm. in diameter, 2 mm deep). The hooked nose is long and narrow and merges with the backswept cheek planes. Up-thrusted narrow nostrils are painted orange. The mouth, encircled by a concave recess, is formed by full, protruding lips, drawn back slightly separated and painted orange. Along the top edge of the mask extend strands of black hair shredded and twisted cedar bark strands, and grey-white feathers. Inside the mask is a leather frame to fit the head.

Duck with body (a) carved from one piece of wood cut horizontally at right angle at head and tail, growth rings apparent. Wider where it joins with head (b) and tapering at tail. Wing and top of leg are carved on each side. Square hole for neck piece. Rectangular hollow carved out of bottom with a crack at each end. Neck and head are carved from one piece of wood and has round eyes with dot at centre; 2 small holes for nostrils on the top of the beak; beak slightly parted at tip. Neck has rectangular projection which fits into duck body.

A very long cylindrical hairpin made of brass with a dragon head at one end. Long cylinder tapers to a point at the end opposite the dragon head. Head is much larger than the diameter of the pin and has many added details such as scales behind the head, a forward-facing flat flame-like projection on top of the head, moulded eyes, a nose, a mouth, added whiskers, a small beard, and long trailing ear-like strands. Mouth, and side panels are inlaid with red enamel, and there is an empty round hole at the front of the mouth.

Orange, cotton bag made of two rectangular pieces of hand woven cloth machine sewn together at the bottom with a fringe. Wide band is sewn on the sides and extends to form the strap. Decorated with hand embroidered stylized birds, butterfly, elephant and flower like forms is interspersed with various geometric designs of which the diamond shape is most prevalent on this bag; designs in light orange, white, green and red. Some of the design has been woven into the fabric.

Paneled blouse or huipil with decorated t-shaped bodice and back; rounded neckline. Panels are continuous over the shoulders with seams on the sides and two seams front and back. Central panels is brown with cream side panels. Decorated portions are vertically ribbed and decorated with green leaves, pink and white flowers with blue, yellow and purple detailing on a dark red ground. Around the scoop neck is a pointed scallop-shaped trim in dark red-brown and orange chain stitches with circles on each shoulder. Border of down pointing chevrons at sleeve openings and v-shapes along bottom. Black straight stitched hem for one half panel, brown for another; centre selvedges at hem, others raw.

Peaked hat has a wide band with four triangular pieces sewn together to form the peak. White rickrack and yellow braid in zigzag design on back of hat. On front is a blue flower like object and two other symbol like forms are appliqued in cloth and braid.

Rectangular woven grass mat of fine regular weave. In the centre is a diamond motif flanked by bands of dark red, pink, yellow, green and orange. The weaving threads are tied off at one end.