Clay model of human figure. Torso is pinched at waist. Lower extremities form skirt that also serves as solid base. The skirt is painted yellow, red, and green. Arms are stumpy and roughly depicted. Face is painted blue with orange features. Wears silver crown.

Round offering bowl (part b) on a pedestal (part a). The pedestal has a circular base and a thick column leading to a large circular surface. The surface is unfinished, but the base and column are intricately painted with triangles, leafs and flowers in black, red and gold. The bowl has a lip around the rim where it sits when turned over as a lid and placed on the pedestal. There is also a round know that works as a handle. The bowl was painted in black, orange and white and is now mostly scratched off. The inside of the bowl is covered in black marks, possibly soot.

Bamboo tube, cut open for half of its length, with a carved knob and an incised pattern at its butt end. Wood hook is carved as a reptile with distinctive teeth that are carved out as a negative space. Fibres bind the hook to the tube and the handle has a fibre collar and a loop. The whole has pigmented black but has worn away in patches on the sides and on the underside of the bamboo.

Long, round carved wood piece. The top has three rings then the carved head of an animal with eyes protruding from both sides, a long snout with nose at end and a mouth with a tongue sticking out.

A wood stick with a knobby head at each end. Unevenly carved with carving marks visible. The brown wood was stained black.

Part of a tumbuan body mask/costume. Conical helmet like mask with a very long nose, agape mouth, protruding lower lip, and a woven fringe dividing front from back. Made of rattan woven over a wood frame, it is coated with a thin layer of clay. Has painted tear shapes around the eyes. Painted zigzags on the fringe, and feathers on the lip and nose tip.

Mask with a concave face, protruding eyes, a looped nose, concave ears, and a dish-like oval object on the forehead. A rail runs below the face, and another bound with cassowary feathers and brown feathers are also spaced evenly along the rail. Cassowary feathers decorate the nose and sennit fibre tassels hang from the ears. The mask is made of rattan woven over a frame of wood that is thinly coated with clay. The facial features are emphasized with black and white pigment.

Unevenly rectangular slab of wood incised on one side with a central crocodile figure bordered with geometric patterns of triangles, ovals and diagonal lines on the top and bottom pattern. Fibre ties run through four holes in the wood on the back. The surface is covered in charcoal pigment.

Undecorated, unpainted, cylindrical brown wood shaft (a) with a knob on one end and an eight-pronged, roughly rectangular stone head (b) on the other end. In a groove on the shaft beyond the head, there is a triangular metal blade (c). A small ring of fibre encircles the shaft at the head. The club head is painted with radiating grey and orange lines, mostly worn away on the underside.

Part of a tumbuan body mask/costume. Fibre mask, conical in shape with a sennit fringe around the bottom edge and outlining the central face. The entire body is painted with a faded white, black and red zigzag-like pattern. The face has a red triangular pattern outlined in black on a white ground. The eyes are black woven circles with holes in the middle; the red nose is woven and protrudes out with a long bundle of sennit hanging down from the tip. The brow consists of black bird skin while the painted forehead is lined with cassowary feathers and toped with a piece of cuscus skin. The inside is hollow.