Pair of Imperial Guardian lion shadow puppets. One lion-dog (part a) is shown in a full body profile, with one front paw raised on a ball. A large fan-like tail extends up behind it. The other (part b) is facing forward with only its front paws showing side by side, next to a large ball, and a portion of the fan-like tail is visible behind the large ears. Both have green shaggy coats, wide open red mouths, and are shown with reddish-orange ribbons decorations around them.

Eight small shadow puppet cloud props. Each cloud is made up of many smaller cumulus-like clouds as well as winding swirls throughout and extending up to a point - outlined in blues, golden oranges, red or black. Parts a and b are the same design, and parts c and d are the same design.

Eight shadow puppet cloud props. Each cloud is made up of many smaller cumulus-like clouds as well as winding swirls throughout and extending up to a point - outlined in blues, golden oranges, red or black. Parts a and b are the same design.

Han Xiangzi shadow puppet with separate head (part b) and dizi (flute) (part c). Limbs jointed with fibre at the shoulders, elbows, wrists and hips. Operated by three rods. Flute has ten notches and 9 holes, and is tied at one end with a green ribbon. There is a small loop for the puppet's fingers.

Cao Guojiu shadow puppet with separate head (part b) and jade tablet (part c). His face is cutout and lined in black, with very delicate features, and a long pointed beard. He wears a rectangular black cap decorated with small red and green pompoms, red edging and green-blue clouds. His brown robe is decorated with clouds of red, blue, green, yellow or black. His pants are striped red and green. Limbs jointed with fibre at the shoulders, elbows, wrists and hips. Operated by three rods. The jade tablet is depicted as a light green-blue, and is club-shaped. There is a small loop for the puppet's fingers.

Large painted ceramic pot decorated with birds and floral motifs. The pot stands on three curved hand-moulded feet and has similar handles. The pot curves out from the base and has a thinner neck and an upturned lip at the mouth.

Wooden panel covered in plaster or gesso and painted. Tabla shows people in local traditional dress being burned alive in a bonfire. State police in camouflage are also shown in the scene. The text states that the painting shows the extrajudicial execution of supposed ‘Shining Path’ insurgents. Among the executed are numerous innocent local Ayacuchans.

Wooden panel covered in plaster or gesso and painted. The tabla shows the Peruvian State forces confronting ‘Shining Path’ guerrilla insurgents in the high plains of Ayacucho. The image shows men in Sinchi uniform as well as people in local traditional dress. A low flying helicopter painted with state camouflage is firing on everyone. The image is of destruction and bloody death. However, it also contains images of the local landscape that show continuity in painting style from the house beams (3289/60-61); a dog steals a piece of meat from the fire, chickens roam the hillside. This is the culmination of the armed conflict and shows the confusion involved in the identities of attackers and victims.

Painted house beam. Slice of a tree trunk, covered in plaster on the front, with the bark left on the back. The part that has been plastered is painted with natural pigments. The beam would be read bottom to top. At the bottom is one of the patron saints; the Virgin of Asuncion. In phrases divided by various patterns, such as flowers and llamas, the beam depicts a range of daily activities such as sowing seeds and weaving. The persons represented are named in writing. At the top of this beam is the sun.

Large painted ceramic pot decorated with birds and floral motifs. The pot stands on three curved hand-moulded feet and has similar handles. The pot curves out from the base and has a thinner neck and an upturned lip at the mouth.