Two-dimensional painted puppet of an ornately dressed golden humanoid figure with long, curling black hair and wing-like shapes protruding from the back. Long, translucent yellow-brown carved sticks are attached to both hands with a third, tapering stick running up the figure's right leg and chest, ending in a looping reverse curve over the figure's ear that continues up a wing-like protrusion. Both arms have movable joints at the elbows and shoulders.

Long brown wooden carving, or sculpture, with on a flat rectangular base. Five human figures are stacked on top of each other and are connected by interlocking hands and feet. From the bottom up, two human figures are standing on their heads. One figure has their hands on the other figure's waist while the other figure has their hands curled around the base. In the centre of the sculpture, is a figure that is right side up, and is holding on to the hips of the figure bellow. Sitting on this figure's head is another figure. The hand of this figure connects to the back of the ankles of a figure directly in front of them directly in front of them.

Embroidered, rectangular textile panel, heavily stitched in soft colours with cotton and silk thread on red cotton fabric. Very little of the background textile shows through the dense stitching. The design consists of rows of large circles, separated by narrow bands of black and yellow diamond motifs. Mirrors are incorporated into the design motifs. Three edges of the rectangle are finished with five rows of multicoloured (teal, light blue, magenta, chartreuse, green) cotton binding (machine stitched). One long edge is raw, with the remnants of machine stitches where something has been removed. One end of the panel has a border motif of circles, mirrors and diamond shapes. The embroidery is underlined with scraps of multicoloured textile.

Necklace of twined cord with teeth strung onto it for most of length. The necklace is formed by a number of strands of cord, one with teeth strung onto it, with another piece of cord coiled around them to form a thick tube. Tassels at each end are three quarters as long as the coiled part of the necklace.

Two-dimensional painted puppet of an ornately dressed man (Sultan, Hamengkubuwono IX) wearing a hat. Long, translucent yellow-brown carved sticks are attached to both hands with a third, tapering stick running up the figure's left leg and chest, ending in a looping reverse curve over the figure's ear. Both arms have movable joints at the elbows and shoulders.

Woman or girl’s multicoloured, short-sleeved, blouse front. Dense, bold geometric motifs, embroidered in silk and cotton thread, cover almost the entire surface of the garment, and in most areas completely hide the ground textile, which is made of dark red cotton. The shoulder area is defined by large floral designs; below the armholes the motifs form an apron effect, with a wide border at the hemline and along the side edges. Mirrorwork, white rickrack and red beaded pompoms are incorporated into the design overall. The centre front neckline slit is decorated with white buttons, triangular turquoise tabs and tie-cords. Tie-cords are also located at the back of the neck and down the centre back opening, which extends from neck to hem. At the back of the shoulders, plain panels of dark red cotton textile are attached. Sleeves are extensions of the shoulder pieces. Sleeve edges and the hem are trimmed with beads, tassels, plastic disks and shells. A label made of off-white cotton textile, printed with a rubber stamp, is attached at the neck edge at the back with a loose running stitch.

Child’s embroidered dress with off-centre front neckline opening. A densely embroidered panel, trimmed with mirrors, surrounds the neck opening in the front and extends over the shoulders to form a back yoke. There is a large pocket inside the front of the dress that is accessible through the neckline slit; the purple machine printed cotton textile that forms the pocket is visible at the neckline. The flared skirt is embroidered with scattered multicoloured geometric figures on both the front and the back. The orange silk textile of the skirt is heavily damaged, exposing the red cotton underlining. Triangular, embroidered gussets are inserted at the sides, under the sleeves. The round neck opening closes with a loop fastener on the right hand side. Sleeve bands of embroidered textile (orange; purple; rose) are trimmed with sequins, rickrack and braid. The hem is finished with silver metallic braid (3 cm wide). The entire garment is underlined with cotton textile. A label made of off-white cotton textile, printed with a rubber stamp and handwritten with ball-point ink is attached at the neck edge on the back with a loose running stitch.

Orange women’s tunic with embroidery and appliqué. The tunic has a high, square neckline. The front has a large embroidered panel from the shoulder to hip. The embroidery on this panel is so elaborately detailed and so densely worked that none of the background textile is visible, and this part of the tunic is very stiff. Within this panel are small- and medium-sized circular, diamond and double diamond shaped motifs arranged in rectangular groupings, and numerous very small mirrors. Below the panel are three horizontal panels of silk and cotton textile (yellow; light green; orange) embroidered with triangular, diamond and floral border designs worked in black thread, accented with several colours and metallic thread. The back of the tunic has a centre back opening with braided ties. Pouches made of orange silk textile and containing small amounts of dried plant material are sewn into the top edge on both sides of the neck opening. On the back there is a large panel of orange nylon(?), embroidered with multicoloured circular medallions and edged with diamond shaped border motifs, silver coloured sequins and white rickrack. Strips of light green and orange silk textile, edged with black braid and white rickrack, form side panels that connect the front and the back of the garment. The front of the tunic is slightly longer than the back. The sleeves are elbow-length and close fitting, made of bands of silk and cotton textile (orange; red; dark green; yellow) embroidered with cross stitch and decorated with sequins, braid and rickrack. All panels, strips and bands are underlined with cotton textile. A label made of off-white cotton textile, printed with a rubber stamp and handwritten with ball-point ink, is attached at the neck edge on the front with a loose running stitch.

A small flat oval light yellow basketry mat with rows of purple and red around the rim, purple waves, a purple animal with a design on either side of a dark yellow middle surrounded by green with orange on the side, and a purple whale at the centre.

Wooden tool consisting of an apple-shaped basin and a narrower protruding area with an inset wheel; the wheel has a metal crank handle holding it in place. A small hole is in wall between wheel and basin and another hole is in opposite side of basin through to outer wall where it is framed by a metal bead. A thin thread runs around the wheel and through both the small holes. At the other end of this head is attached a wooden handle with a metal point protruding from the narrow end.