Clay bowl with wide mouth and a neck that flows at an outward angle away from the rim. The shoulder is low and cuts sharply in toward the round, bulbous base. The interior of the pot mimics the exterior. The rim is painted a dark brown and orange-brown, with a pattern of thin brown lines in geometric forms on a cream background encircling the pot’s shoulder. The bottom is decorated with a series of criss-crossing lines and V-shapes in brown, rust and orange. The surface is shiny.

Clay bowl with wide flaring mouth and straight sides that incline sharply to a round base. The interior is decorated with thick lines of white and rust, and thin lines of brown and rust in V-shapes and a central X-shape. The finish is matte. The exterior is painted with small, delicate geometric designs in brown and rust, over a light brown base colour. Lines of brown and red-brown encircle the rim. The outer surface is shiny.

Clay "joni chomo" portrait pot. The mouth of the pot is small with a slightly flared rim. Below is a small but wide face with protruding nose, cheeks, ears and chin. The eyes are painted oblongs with a small pupil. The mouth is a small incised line emphasized by brown paint. The back of the head is painted brown. The face, ears and body to the shoulder are covered in large open patterns of dark brown lines with rust coloured accents, on a light brown base. The area below the shoulder is undecorated, but has large spots of black carbonization.

Clay "joni chomo" portrait pot. The mouth is wide, with a thin and slightly flaring rim. The interior is painted black. A face is situated on the neck with protruding nose, cheeks and chin. The eyes are painted oblongs with a small pupil. The mouth is a carved line emphasized by brown paint. The ears are brown and protrude, and the back of the head is painted brown. The face, as well as the pot’s body to the shoulder, are covered in patterns of dark brown lines with rust coloured accents, on a light yellow base. Beneath the shoulder to the foot the pot is rust in colour with large areas of black. The base is slightly concave.

Wooden mask has a broad, somewhat flat face, with a receding chin that is topped by a large protruding lower lip painted red. The nose is large and narrow, accented with red paint, and bridge extending to top of mask. The eyes are small and round with viewing holes bored through the wood. The face is bordered by a carved line running from brow, around cheeks to lips, from which the sides of the mask drop sharply away. The head is covered by a black hat or hair. The interior of the mask is slightly concave. Two small holes are bored through the upper sides of the mask and are fitted with a thin brown string.

Clay bowl with wide mouth and rounded sides that incline sharply to a small round base. The interior is decorated with white and brown lines of varying widths in linear patterns, on top of a red slip base. The overall finish is matte. The exterior has a more intricate and smaller pattern of lines in varying widths and of a dark brown, on a light yellow background. The outer surface is shiny.

Clay bowl with wide round mouth and curved sides that recess to a small round base. The interior is painted in a matte finish and decorated sparsely with brown and white lines in patterns of large crosses and smaller knots. The exterior has a shiny finish over an intricate design of thin brown lines surrounded by thicker lines marking a larger and simpler pattern. Small shapes in orange further embellish the design.

Large woven basket has a relatively short bulbous body (part a), angling sharply in and upwards at the base. The round pedestal foot sits inside the body perimeter, only partially visible in profile. It is decorated with a single ring of cowrie shells. To the basket are attached four strips of hide, each with three rows of cowrie shells attached. The strips are long and thin, holding the lid (part b) to the body of the basket. The lid is round and wide, with an inset lip allowing it to sit snugly on top of the basket body. The lid rises to a high centre protrusion. Body and lid are decorated with dyed dark brown and red zigzags and concentric upsidedown Vs.

Carved and painted hardwood paddle with a long leaf shaped blade. At the throat on the dorsal surface is carved a stylized human with large headdress, sharp red teeth, broad nose, long thin neck, arms, hands and fingers. The figure is painted red and black. The tip of the blade on this side is red. On the ventral surface is a long raised and painted spine painted red and black, with thin arms and fingers again carved at the throat. The tip is painted black and red with a V-shaped design. The paddle’s shaft is long and straight, narrowing slightly toward the anterior end, and has no embellishment.

Large wooden batik textile stamp. The base of the stamp is carved into two lines of four repeating patterns, showing an intricate design of a large oblong flower in the centre surrounded by foliage, and an enclosed border of vines. The top and bottom of the stamp have two straight lines of small dots. The stamp is made out of a thick piece of rectangular wood, with a wide rectangular handle on the centre back attached by nails. The piece shows traces of red dye on its base, sides and handle.