Elliptical brooch with three lobed ears at one end. Large central ovular cutout with one point, leaving very narrow outer band. Zigzag engraving around outer edges. Cross-pin. Maker’s mark at bottom.

Heart-shaped brooch with four points on top. Centre heart-shaped cutout, and zigzag line engraved around edge of inner cutout. Green and white mottled glass stone set at top of brooch. Cross-pin bent around brooch side in notched band. Maker’s mark stamped in rectangular cartouche.

Heart-shaped brooch with central cutout and zigzag engraving. Top set with black glass stone. Cross-pin attached to left side. Maker’s mark at lower tip of brooch.

Textile on the loom is woven in a chevron and flower design in red, blue, green, yellow, orange, black, white and purple on a burgundy background. Rope is burgundy, green, purple and white. Loom and pick are carved and sanded. Pick is also painted. Many wooden pieces are attached in the weave.

Mushroom-shaped, ceramic rice cake mould (tteoksal (떡살) with cylindrical stem. The top is divided into four sections with a recessed linear design. There is a hole in the stem through which a fibre cord is attached.

Buncheong (분청; 粉靑) dish with stamp impressed designs with repeated stylized chrysanthemums patterns. Interior surface: geometric border around rim; chrysanthemum design in centre; abstract chrysanthemums pattern in background. Exterior surface: rows of dotted motifs inlaid on the surface, including the unglazed bottom and foot; border of lines at rim.

Owl-shaped brooch with three ear-shaped extensions on top and engraved details. Cross-pin at heart-shaped cutout. Hallmark in square cartouche at base of brooch.

Partly painted and partly burnt canoe prow fragment. Made up of two large pieces and one smaller, held together by nails. The outside of the prow is charred black at the burnt end, and is edged with thick vertical white bands toward the front, then a section of light brown wood with sporadic patches of black paint, and ends in a point that is painted pink. The inside is partly charred, and has irregular patches of light brown wood and flaking pink paint.

Simon Peter mask with painted red face and brown goat skin hair. The face has an open mouth and holes drilled for eyes. Above the eyes strips of goat skin are attached for eyebrows. The goat skin hair covers top of head and extends around neck and forms a hood for the wearer. A twisted tie is attached to the goat skin on the left side.

Plain white cloth with black embroidery of seven vases with ribbons, holding different flowering branches. Center five vases have a sword and its case behind the vase. Embroidered bottom border on all three sides of alternating flower and fruit on the sides, and a repeating water and landscape scene with willow, pine and fruit trees, fisherman, bridges, animals, pagoda, fish and phoenixes. Embroidered hem on all three sides of zig-zag and lines.