Small lidded pot with burnished finish. Pot (part a) has a wide mouth, and sloped and rounded shoulder that narrows to a small flat base. Artist signature, date made, and title incised on base. Large circular lid (part b) is decorated across exterior surface with formline motifs, done in relief. Centre of design consists of a face with wide eyes, straight brows, large nose, and an open mouth with the tongue sticking out; markings on forehead and cheeks. Face is surrounded by a wide band, with protruding split U-shapes that extend to edge of lid. Lid has a long lip that curves downward; flange closer to centre of interior. Exterior surfaces of pot and lid range in colour from off-white to black; speckling throughout. Interiors are smooth and somewhat rough in texture; coloured light grey.

Off-white clay bowl with black painted design across interior. Central design is of large figure with very long phallus, being held up by three smaller figures. Large figure has their long hands held upright, with the palms up. They have spiked hair, small bun on the back of their head, diagonal line across cheek, and are wearing a checked collar. The smaller figures have braided(?) hair and protruding phalluses. Interior edge of bowl trimmed with five linear bands; outer bands are thicker than inner. Patterns stamped and done in relief across exterior sides of bowl. From top to bottom: swirls with human and animal motifs throughout, raised line, repeating words "OUR HISTORY", inverted stepped triangles, abstract diamonds inside ovals, alternating feathers and groupings of vertical lines, potted flowers, abstract linear motifs, and circles. Artist inscription, done in black, on base: artist mark. Judy Chartrand. Ancient Mimbres. circa: 1100 AD. "WAKUSOYO". Tewa language.

White clay tile with a scene in relief of the interior of a room with checkered floor. A large beige vase sits on a black table and, through open doors onto the balcony, a landscape of blue water, mountains and sky can be seen. Signed by artist and stamped on reverse.

Heavy, partially painted and glazed bowl with a piece of embedded cone showing in the surface. Top surface decoration is divided into an area of unglazed brown, glazed striated cream and pink, and two areas of glazed white with blue. The bottom surface is unglazed and rough.

Heavy burnished black pot with an area of beige near bottom. Thick walls twist up slightly from oval base to create body-like curves.

Igo ware with an ash glaze. Heavy dark brown jar with circular base has a few coils below a narrow neck, with two small horizontal handles, that flares out slightly to the rim. Surface is rough and glaze uneven, with some bare patches of red clay.

Large, burnished, orange clay pot in the shape of an opening bud. Pronounced vertical spines flare up from a small flat base to a high shoulder, then curve sharply into the centre of the pot as nine pointed leaves. Blackened areas resulting from the firing process cover both the shiny exterior and the dull interior surfaces. Signed and dated by artist on base.

Sculpture of a female figure made of small tile pieces and broken ceramics over plaster and wood frame. The tiles cover the sculpture entirely, using a cup handle for an ear, plate rim as a shoulder and dish bases as breasts. Arms hang down on the sides. The predominant colour of tiles is pink.

Sculpture of a short female figure made of small tile pieces and broken ceramics over plaster and wood frame. There is a round face with a large rear head, squarish torso, no arms and long round legs. The tiles cover the sculpture entirely. The predominant colours of tiles are pink and white.

Sculpture of a male figure made of small tile pieces and broken ceramics over plaster and wood frame. The tiles cover the sculpture entirely and are used to represent features of the figures. The predominant colour of tiles is green.