Wolf mask, made of two planks with an adjoining nose piece, and four slats at the back; two on top and two on bottom. Slats form a triangular frame, with mask tapering towards front. Wolf face is painted on exterior of planks, using formline design elements. Nose is black, with a wide band along length of snout and brow; white crescents across brow. Additional band, with U-shapes and trigons, extends from long line of white bared teeth. Row of alternating red and black ovoids along the bottom edge. Eyes are white and black, inside a red ovoid; additional ovoids carved around eye. Semi-circular ears attached to top edge; divots carved in centres, and edges painted black. Short bundle of cedar tied onto nose piece; three bundles attached to top of frame, with cedar curving behind slats and underneath mask. Small feather inserted into top centre bundle. Top edges of mask are painted black; interior is undecorated. Artist signature, West Coast Wolf, and date made written inside of mask, towards back opening.

Wolf mask, carved from one piece of wood; face is triangular, tapering at chin. Wide rectangular ridge runs down centre, with black marks along length, ending at nose; eyes carved on either side. Eyes are oval-like, carved in relief, with narrow pupils; painted lines extend from sides of eyes. Small triangular divots at ends of nose, for nostrils; carved and painted lines on either side for whiskers. Wide mouth carved into bottom edge, with long red tongue sticking out. Wolf face is painted white; facial features highlighted with black. Four holes cut out of mask, two along top edge, on either side of ridge, and two along length of ridge. Interior is undecorated.

Crawling wolf mask, made of a single piece of wood; interior has been hollowed out. Mask has a circular open top and bottom; wide slit opening at back. Head portion extends into a long, rounded snout with high nostrils. Below are chevron-shaped teeth, carved in relief, pointing towards back of mask; painted white with dark red in between. Black and white eyes, set in a red ovoids, painted on either side of mask. Mask exterior is painted black, except for bridge between nostrils and snout. Three metal hooks drilled around sides of top opening, with a thick cord wrapped through each hook; cords knotted together in centre of opening. Wide band of cloth looped around knotted cords, and a small cord knotted around front hook. Additional holes drilled along edges of bottom opening, on left and right sides; each side has a long piece of cloth attached. Small tags attached to interior walls, with carved number, 707-555-645, next to them.

Open-work, rectangular textile. Fine white thread has been twisted to create a mesh grid, with patterning appllied by in-filling squares of the mesh across large areas. Patterns include lines, zigzags, collections of squares, and key patterns. What remains of the edges has been finished.

Rectangular cloth is constructed in a fine weave, with geometric patterns connected by open-work stitching. Two large zigzagging lines separate the areas of patterning. At bottom is a row of similar stepped motifs. Cloth is coloured shades of brown.

Elongated jar with rounded bottom. Body of pot is wide at shoulder, inclining smoothly toward the pointed base. Rim is cup-shaped, surrounding a smaller mouth, with two small protuberances at either side. It sits on a smaller, bulbous neck. Two small handles span from neck to shoulder, beneath the rim’s protuberances. Half the pot is painted brown, and half a light yellow-white, with a small step design of the opposite side’s colour sitting below the neck on each side.

Elongated jar with rounded bottom. Pot in human form, with legs and arms rising slightly off surface of the body. Legs curve around front from sides, with small feet protruding. Arms are held at chest level, hands clutching a small vessel. Neck of jar is tall with straight sides, made into a face with large rounded ears, protruding nose and eyes, and a wide mouth. Small triangles emerge around the rim of the pot and a tiny round handle sits at back of neck. Pot is mainly unpainted but for chin, eyes and forehead which appear to have been dark brown at one time, and light staining suggesting colours on sides and back of head.

Wooden spindle painted with black and red bands near pommel, surrounded by thin white bands. Slightly broken at ends.

Wooden spindle painted with black bands and light cream decoration in the interspace. Large split at one end; other end broken at point.

Textile doll wearing a yellow dress with horizontal red bands and one band of geometric spiral waves. Upper body has a beige band with brown geometric spirals (waves and step patterns). Hands of three fingers are up and made of a reed grass. Covered with light red dyed camelid threads. Rhomboid eyes with red and white circles in interior, light yellow face, two front red tassels as braids with two yellow knots each. Headdress with vertical bands in light blue, brown, white and black, cream coloured cotton and camelid threads. Interior textile at back of head has bird and geometric decorations, lower body interior has brown cloth with zigzag motif. Upper body has textile made of white wool and gauze.