Fire starting kit consisting of four components. Part a: Two caps on the either end of a small rope which attach to either end of a bamboo stalk (part b). These caps come from a single silk worm cocoon that has been cut in half. There is a flat, rectangular piece of iron that is used with a flint (part d) attached to the length of rope. The iron is curved into a hook-shape on one corner in order to allow the iron to hang off the piece of rope. Part b: Length of bamboo stalk, hollow at one end to allow for the storage of parts c-d, inside there is a bundle off-white un-spun silk fibre. The closed end of the bamboo stalk is burnt and blackened. This end is the carbonated end used to light a dried silk tuft to ignite a fire. Part c: A tobacco leaf rolled up and bent at one end. Part d: Piece of stone used as a flint. It is mostly black with streaks of brown and there is a brown line that runs down the centre of the stone. The edges are mostly jagged, but there is one smooth edge.

Two baskets tied together. Each basket is woven tightly from medium size strips of brown bark. There is a lip at the opening of both and the baskets are tied together with a piece of the weaving that has been pulled loose from the weave itself. The two pieces of bark are then tied into a simple knot.

Brown knotted-rope pot hanger. At one end of the rope the fibre has been wrapped into a circular shape. The circular shape has 4 four separate ropes and the rest of the ropes are knotted around the circle to keep it in place. There are 10 ropes coming out of the circle. The ropes are grouped together in twos as the ropes leave the circle. Each group of ropes is knotted twice together. The second knot is tied by taking one rope from one group and another rope from a second group and then they are tied together into a new knot. From these two ropes, after the knot, only one rope emerges.

Earthenware pot, terracotta in colour. There is a groove in the wall approximately 11 cm up from the base of the pot. Within this groove is a line that protrudes out slightly .

Pair of cast silver earrings, each consisting of a curved ear hook soldered to a rectangular cast silver 'tablet' which is in turn hinged to a larger oval cast silver 'tablet'. This oval section, which forms the main body of the earring, has a silver cast 'feathered snake' design affixed over a red glass centre piece and a 'double scroll thunder pattern' etched around the perimeter. The upper rectangular section has a design of interlocking triangular shapes symbolizing the four directions. Three tapered, cylindrical -shaped ornaments hang by soldered eyelets and shot sections of linked silver chain from the bottom of the oval tablet, each of which has a design of three diamond shapes touching point to point.

Wide, silver band with three round, dangling ornaments. Around the band of the ring there is a floral or quatrefoil design. On the front of the ring there is a triangular, crown-like extension with a loop at the tip. There is also a loop at the base of the crown from which a ring and three dangles are hanging. The dangling ornaments are all round with a loop to attach onto the ring.

Silver, cuff-style women's bracelet. There are seven triangular-shaped protrusions extending along the base of the bracelet, at the end of which there is a rounded tip. Between each protrusion is a rounded, linear shape with lines incised across the length. Just before the ends of the bracelet (at the opening) there is a carved pattern of two lines of circular shapes, followed by a smooth finish on the rounded ends.

Large, black women's shawl, or veil, with a rectangular embroidery panel centred along the straight edge (when worn this panel falls around the head/face of the wearer). There are four main sections to the design of the panel which are separated by gold stitching: the section closest to the outer edge is two lines of red and green cotton; the largest section of design has light orange, green and red cotton sewn into the embroidery, the main pattern of which consists of gold diamond and rectangular shapes; on the outer edge of the four sections there are triangle and arrow shapes. On the interior of the semi-circular shawl, around the top, there is a small piece of cotton material with a blue background and red and green flowers, sewn as a lining where the shawl would rest on top of the wearer's head. The inside edges of the shawl are also lined: the front seams are lined with a narrow strip of red fabric, and the bottom seams are lined with a narrow strip of blue fabric. On the exterior surface of the shawl, extending out from the central embroidery panel, there is a hand-sewn geometric design consisting of three V-shaped sets of linear patterns. Each of these is a different colour (from closest to the embroidery panel out: light blue, light orange and light yellow). All three consist of two lines and there are flower-like designs sewn on the outside edge of each of the lines. The yellow lines, which are the closest to the bottom of the shawl, have two snail shell designs that extend down from the two main lines.

Red saddlebag with five tassels, rectangular in shape with a tapered point at the bottom edge. A geometric design embroidered in the centre portion of the bag represents a “cow in the tree/bush” motif. The design itself is embroidered with brown sheep’s wool yarn. A light brown yarn is stitched around the design as a border. There are five tassels at the base of the bag each with three sections of horse hair. Around each of the tassels there is a blue, yellow and red pattern wrapped around the tassel itself. Many of the tassels are knotted. The horse hair is tied to the tassel with a red-orange piece of material. The bag also has a strap that has light brown, orange, yellow and green lines. On either side of the bag where the strap begins are three tassels each with a different coloured end (orange blue and yellow). Also attached to the tassels are several beads (black and white) and round metal discs.

Brown and white knit wool vest. The edges of the bottom of the vest, around the arm holes and around the neck opening, are knit using brown wool and a very subtle design. The vest is made of two pieces, a front piece and a back piece that have been stitched together. On the sides, the two pieces are stitched together with brown wool while the top of the vest is stitched together with white-brown wool. The design on the vest varied from the top to the bottom. On the top of the vest near the neck opening there is alternating brown and white brown unfinished lines. The design on the bottom half of the vest is alternating brown and white-brown patches.