Stonecut and stencil print. Central frontal figure with a circular yellow head that has three black and white heads within, one frontal with an outward facing profile at either side. Radiating from the outside of the head, there are the following from left to right: a downward facing human, an outward facing profile human head with a long neck, an outward facing bird head with a long neck that has an outward facing profile human head on top, an outward facing caribou head with a long neck that has a dog on top; two central inward facing yellow dog heads with long necks that have inward facing profile human heads beneath and within their neck curvature; an outward facing caribou head with a long neck, an outward facing bird head with a long neck, an outward facing profile human head with a long neck, and a downward facing human. The background is red with blue areas around the bottom. In the lower right corner is the Baker Lake symbol (small yellow image of a right pointing arrow emerging from a bulge) pointing to pencilled syllabic. Pencil inscription across the bottom edge on the back reads 'I am Always Thinking About the Animals 22/50 1973 Tookoome'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper mounted with off-white matboard and framed.

Green felt wall hanging with multicoloured felt appliqué figures, both human and animal. Figures are arranged in a complicated pattern with distinguishable hunting imagery covering the entire hanging. A band of green fabric is sewn along the upper edge on the back for hanging.

Rectangular wool duffle and felt wall hanging depicting two men standing beneath a large cross. Light blue felt appliqué figures stitched onto a dark blue ground. Cross is dark blue felt covered in rows of alternating yellow, white and red embroidery knots. Syllabic inscription across the top in yellow thread. Syllabic "signature" in bottom left corner in white thread. Rolled edges with blue and yellow whipstitching along the sides and bottom. Top edge is folded over and sewn to create a loop for hanging.

A black and white image of a human figure at the centre of other human figures reaching toward it and touching hands. Three human figures around the lower left side are touching hands with the central human figure who has two other human figures on top of his head extending outward with the upper right on reaching out to another human figure below. There is also a seal-like creature, a bird, and two dogs. Another human figure and a caribou ? are on the clothing of two figures. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'At the Centre 28/39 71 Tookoome'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, brown paper piece.

Main figure is bending over to the left side with an animal-like fae that has yellow eyes with red features. The body is long and curving and is striped brown, yellow, orange, and white. A white and yellow fish is in the main figure's mouth. A profile human face is at either side of the upper portion of the arm dangling down holding a fishing line with a profile animal at either side of the lower portion of the same arm. Another white and yellow fish is at the bottom centre next to the dangling fishing line. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'The Pleasures of Eating Fish 14/50 1970 Tookoome'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, white paper piece.

A print with two hunters in a horizontal position. One hunter has a spear and is wearing blue and orange clothing while the other hunter has a bow and arrow and is wearing brown, green, and orange clothing. Above the hunters, there is a host of seven brown caribou walking over a hill to the right side. The hill is has a thick black outline with blue u forms below. Stamped with the names of artist and printmaker in Inuit syllabics in monogram form with Baker Lake stylized yellow cross and bow in lower right corner. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'A host of caribou A/P III/V Oonark Ukpatiku 1976'. The print is on horizontally rectangular white paper.

Three human figures surrounded by a thin red arch shape with animals all around. The top left human ahs a bow and an arrow, the top right human has a bow, and the bottom left human has an arrow. The humans are wearing brown, blue, red, and black clothing. From left to right, the animals are the following colours: black, blue, black, brown, yellow, red, and yellow. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Hunting with bow and spear Oonark, Noah 8/49 1975'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper.

Black and white image of a central human-like figure bending over with a bird-like head and neck. On top of the neck, there is a bird-like figure with upswept wings and human-like feet. Below, there is another bird-like figure with wings tucked into the body and human-like feet. In the middle left side, there are two plants. All figures are facing to the left side. In the lower left corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Keeveok's Family 42/50 1970 Mummookshoarhuk, Mary Pootook'. In the lower right corner, there is a circular embossing. The print is on vertically rectangular beige paper.

In the upper left portion, there is a sideways brown outlined grey caribou with a sideways green outlined grey wolf below in the lower left portion next to a human in yellow in a brown outlined green coffin. In the upper right portion, there are brown syllabics witha human below in the lower right portion. The human has red spurting out of the mouth and is wearing blue clothing. In the lower left corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'The Dying Man becomes a Wolf 27/50 1971' and has a signature. In the lower right corner, there is a circular embossing. The print is on vertically rectangular off-white paper.

A human skeletal figure on the right side with his right arm dangling down with a knif in the hand while his left arm is outward so that his finger can point forward to the left side. There are two blue blocks. The skeletal bones cream-coloured, the rib cage is black, the face is yellow, and the top of the head is orange-pink. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'The vision of a man cutting snow blocks 18/70 1978 W. Noah'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper.