From card: "With woven tump line attached." Identified as southern Puget Sound style by Barbara Brotherton, Seattle Art Museum, 11-6-2007.

From card: "Marked "Chilkat". This is carved, representing animal and human figures. It was undoubtedly made on the Queen Charlotte Islands and traded to the Chilkat. A bear-mother interpretation. Illus. in Barbeau, Haida Myths illus. in Argillite Carvings, NMC #127, p. 107." Illus. Pl. 81, p. 107 and described p. 150 in Bear Mother chapter of Barbeau, Charles Marius. 1953. Haida myths illustrated in argillite carvings. [Ottawa]: Dept. of Resources and Development, National Parks Branch, National Museum of Canada. Motifs identified there as "In a pipe group, the Bear reclines, on his back, on his captive, who is crawling on all fours. (Centre) The Flying-Frog sits up, her back to the Bear, and the berry picker has a skil [hat ring or potlatch ring] on her head. The young woman appears nude, her head and shoulders thrown back in prostration, her mouth wide open, a skil on her head."

From card: "This appears to be a pelvic bone on whiich is carved the head of some animal, utilizing the natural curvation of the bone for the mouth and eyes."