Goblet-shaped drum with animal skin stretched over the top. Skin is secured in place with wooden pegs and a secondary strip of skin. The shape of the batter head is formed with internal strips of plant fibre, visible at intervals through the skin. Drum has a triangle-like protrusion along the back, towards the top edge, with a small hole drilled through its centre. Likely for hanging purposes. A large hole is cut into the body of the drum, to the left of the protrusion. Drum is decorated with incised lines, circling the entire body. Designs are (from top to bottom): plain line, plain line, zigzag, plain line, and zigzag. Carved inscription over top the first band, to the right of the protrusion. A repair has been made on one side of the body, using sheet metal.

Wooden stool in the shape of a four-legged animal. Figure has a long, thin face and oval-shaped ears on either side of its head. High ridge runs down centre of face, with semi-circular eyes incised on either side. Mouth is carved wide open. Bridle-like ring done in relief around muzzle. Band of braided plant fibre- coloured yellow, green and red- secured around animal’s neck. Long strands of matching fringe extend from bottom edge of band, covering neck and imitating a mane. Cloth strip tied around animal’s neck, as well as a long, light brown cord. Cord loops around body of animal, imitating reins. Saddle and girth carved in relief on back and stomach. Rings, done in relief, decorate each leg. Animal has a rectangular tail, that curves downward, and is covered in strands of red and yellow plant fibre.

Standing wood shrine figure. Body is rectangular in shape and has geometric and linear motifs incised on the front and sides. Hide collar, coloured black, wrapped around neck. Figure has a wide nose, pronounced brow and lips, and angular eyes. Has a ponytail that protrudes sharply from the back of the head. The end of ponytail connects to the figure's back. Lines incised on portions of hair overtop of head, hanging portion of ponytail is thin and smooth. There is a small gap between the ponytail and the back of the figure’s neck. Extending from all sides of the hide collar are strands of cowrie shells. Long strings of black, red and white glass beads are tied around the ponytail with light brown thread. Two copper coins and one small brass(?) bell are attached to the bead strings, hanging down the back of the figure. Plain brown tie, with knotted ends, is strung between the ponytail and the neck of the figure.

Ifa divination tools (parts d-v), stored inside a round, two-tiered container (parts a-c). All components are made of metal. Bottom compartment of container (part a) has a flat base and protruding lip, with a raised edge. The top compartment (part b) sits on top of the lip. Along the top left and right edges of the bottom tier are notches that protrusions from the bottom edges of the top tier fit into, securing the two compartments together. The sides of both tiers are decorated with finely incised bands, consisting of cubes, and plain and diagonal lines. The lid (part c) has a long lip, that fits over the edge of the top compartment, and a circular knob in its centre. There are raised lines across the surface, dividing the lid into bands. There are finely incised decorations in the top and centre bands, consisting of dotted triangles, plain and diagonal lines, and scallops. The divination tools are small and different shapes. Most are rectangles, triangles and squares with raised geometric and curvilinear motifs across their surfaces (parts d-o). Other tools include a horn (part p), scorpion (part q), large bell (part r), small bell (part s), square knot (part t), flat semi-circle with notched edges (part u), and a semi-circle with ridged sides and pointed top (part v).