Deer mask. Wooden, carved mask with a long muzzle, articulated ears and tall antlers painted red, black and green. The inlayed abalone teeth are nailed to the jaw. The nose has cutout triangular shaped nostrils with square shaped indentations where there was possibly inlay. The snout is painted with black U-forms; red and white detailing. The face of the deer has black edging with green ovoid-like shapes around the red outlined eyes that are inlayed with large, circular pieces of abalone shell. The inside of the mask is hollow with the exception of carved, rectangular shaped handle used to hold the mask when worn. The mask is painted black, red, green and white with Northwest Coast stylized designs.

Dzunuk'wa mask. Dark grey humanoid mask with pursed, protruding lips, a hooked nose, sunken cheeks, bulging eyes, and a heavy brow ridge. Cheeks, nostrils, eyes, and two spots on the forehead are painted red.

Dzunuk'wa mask Large, black humanoid mask with facial features marked with red colouring. Pursed, protruding lips, hooked nose, sunken cheeks sunken eye sockets, and bulging eyes. Heavy, pointed eyebrow ridge.

Sun mask with five protruding arms representing sun rays. The mask has prominent eyebrows, slightly protruding eyes, a short recurved beak, an open mouth that comes to a peak at the centre of each lip and has downturned corners, and a rim that comes to a peak at the centre top and centre bottom. The mask is painted white with designs in red, green, yellow and black. The rim is painted with yellow, black and green scallop shapes on white. The arms are painted with designs in black, white and red and have rounded corners.

Model totem pole (part a). Figures from the top down are Thunderbird (wings parts b-c), a human figure (possibly Tsonoqua?) holding its knees, a wolf or bear with a copper in its mouth, a raven, and Sisiult (double-headed serpent) at the base (includes parts d-e). Signed on the back. Pole is secured to a rounded base with nails.

Model pole carved in very deep relief from a piece of round wood. The lowest figure is a land otter surmounted by a seal, a whale, a bird, a bear, a human-like face and a supernatural crane at the top. The beak of the bird is glued on. The entire pole is painted black.

Carved wooden, crooked beak mask (parts a-b). The face (part a) has red and green flared nostrils with a central frill that curls down into the middle of the nose. The mouth (part b) is red, flat, protruding and was hinged to the head with thin rectangular pieces of leather. The face is black with white edging and detailing; black and red outlined eyes on a green, ovoid shaped background; brow is black. The inside of the mask is hollow. Attached to the top ridge are small tufts of cedar stripes. The mask is painted black, green, red and white with Northwest Coast stylized forms.

Dark brown, stylized human face with a prominent forehead and two protruding brass teeth.

Female figure with geometric linear decoration around the body and the upper portions. Much stylized. Oblong head has thin, narrow eyes, an inverted T-shaped nose, and a wide mouth. From the breasts, the arms extend upward with the flat, long-fingered hands above. Legs are bent slightly at the knees.

Chilkat style robe with woven designs and long fringe. The design is a three panel distributive. In the centre are two ancestor faces surrounded by a diving whale(?) motif. The side panels have ancestors faces in profile and a raven motif. The design is yellow, blue and black on natural ground. The two bottom corners have two rectangles with zigzags in black and yellow, associated with the identity of the weaver. There is long twisted fringe, on three sides, of mixed wool and cedar bark. On the top edge are two red flannel tabs with buttons and buttonholes for securing the robe around the neck.