Mask surmounted by a bird and painted with dots and geometrics in natural ochre shades. The mask has downward pointing triangular cut out eyes, and is framed by a projecting three-ridged feature. There are small ear-like projections at the top sides of the lower face. The bird is frontal facing with a brown crest and is attached to the top of the mask at its feet. Paper label attached to interior.

A metal sword with a male head finial that has bulging eyes and a head piece which wraps around at the end of the handle. Underneath the head, there is a pattern of two protruding, four grooved, two protruding, and four grooved horizontal ridges along the cylindrical handle itself. The blade is incised with geometric patterns consisting of quadrangles with cross hatch marks within, wave-like curls, and dots, as well as a floral pattern with leaves.

Wood mask with brass metal sheeting that has a pattern of repousse dots. Incised lines on the wood forehead. Has horizontal, rectangular cut out eyes and a small mouth. Dangling from the forehead, there are three equally spaced long metal decorations, each with a red tassel. Surmounted by a staff topped by a small female head.

Wood mask with a metal covering that has a pattern of repousse dots. Incised lines on the wood forehead. Has horizontal, rectangular cut out eyes and a small mouth. Dangling from the forehead, there are three equally spaced long metal decorations, each with a red tassel. Surmounted by a large female head.

Mask depicting a female face with a high two-lobed coiffure, arched eyebrows that join and extend into a thin nose, and scarifications carved into the cheeks. The mask is painted black with red eyelids and blue scarifications.

Figure of a standing woman. The rounded eyes are oval, the long nose extends from the curved upraised brows and the mouth is oval. The hairstyle is elaborate and accentuated with grooved lines. The earrings consist of a red bead. There are two diagonal scarification marks on each cheek. More horizontal scarification marks are on the neck and the stomach. The thin breasts are pointed. The short arms are resting slightly bent at the elbows. There is a navel and a small garment for the lower portion of the body. On a circular base. Nailed to a separate square stand.

Figure in the form of a woman. Has small eyes, a large nose, and a mouth with big ears, and an upraised forehead. Shoulders angle downward with the arms resting at either side; shows carved breasts and large navel. The legs are straight and attached to base.

Standing wood figure (ibeji). Head is capped with a bright blue pigment on the conical headdress. Cap is decorated with diagonal ridges. Seven tribal scarification marks on the cheeks, four of which are horizontal while the other three are vertically above the horizontal. Extended arms have hands touching thighs. Has very short legs in relation to body and the feet are large. Stands on circular pedestal. Beads around neck and hips. Covered with red camwood paste.

A carved wood figure with high upraised bone eyes set in pitch. Ape deity. There is a nose, big pouting lips, and large rounded concave ears. The neck tapers to angled shoulders with the arms resting bent at the elbows so that the hands are curved inward at the front. The figure is sitting in a crouched position.

Black and gold hat. Black velvet underlay stiffened with cardboard that has wood quatrefoil flowers in gold gilt glued to the exterior. Two side pieces protrude, on an angle, from the band of the hat.