The rope is sinew and cedar root?. The paint is red and black.

Wood, stomachs, bladders, and skins were used by Northwest Coast fishermen and sea hunters to make floats of many sizes. The largest and most impressive were whaling floats made of the skins or hair, of harbor seals. Painted designs on most whaling floats are similar to these. Concentric circles in various combinations of red and black, with simple geometric elaboration, make up the patterns. (Holm, Spirit and Ancestor, 1987)

DOUBLE CEDAR BARK HAT Makah Unlike the ancient pointed hat (see no. 1983-72/1), this dome-shaped hat is typical of 1800s western Washington. The outer hat layer is decorated with dyed grass; the inner hat is joined on at the rim. 1800s; Collected by James G. Swan; Gift of the Washington World's Fair Commission, 1893; No. 110

The ethnological collections of the Washington State Museum (now the Thomas Burke Memorial Washington State Museum) were greatly enlarged by the acquisition of the Emmons collection of Tlingit material at the close of the Alaskaka-Yukon-Pacific Exposition in 1909. At that time, curator Frank Hall began to catalog the collection. Perhaps arbitrarily, since Hall had to start somewhere, a pair of Haida dance shirts collected by James Swan for the Washington exhibit at the World's Columbian Exposition in Chicago were given the catalog numbers 1 and 2. The design on the front of the tunic represents a sea lion, while the one on the back is a killer whale, or orca. Killer whale and sea lions are crests of the Haida Raven phratry. (Holm, Spirit and Ancestor, 1987)

The trade cloth is red and blue.