Carved wooden basket hook consisting of a female figure with a long oval shaped face and a conical shape headdress that has a bird carved on the tip. The face has incised, tattoo-like detailing on the cheeks, a long nose, inlayed shell eyes and an open mouth exposing the teeth. The arms hang down to the knees which are slightly bent. The body is rounded; the genital area is exposed. The crescent shaped base has a stylized incised band designs that are incorporated into a central face that has inlaid shell eyes. Along the sides of the body is a rounded, triangular repeating design. The reverse is carved and decorated with various stylized designs. The wood is stained black.

Carved wooden yipwon (hook figure). Downward pointed hook shaped in the form of a human figure (part a). The figure is wearing a triangular shaped, flat headdress. The eyes are inlayed with cowrie shells, the nose projects slightly with a hollow septum, the mouth is small and incised while the chin is long and pointed. The body of the figure consists of opposed hooks encircling a central protrusion and two upward facing hooks appearing like human ribs. The frame hooks or back of the figure curves in slightly then ends with one human leg with a small foot and carved toes. The hook is stained black. Covering part of the figure’s head is a cassowary feather wig (part b) with skin that has been has been pierced in two places and fibre strands tied through.

Short bamboo section, bound with fibres and with fibre and feather rings at top and bottom. The stop is a kneeling man with a crested bird on his head. Both have cowrie eyes, the bird also has a row of fibre tassels on its back while the man has 1 in his nose. The bird also has a tuft of feathers on its cheek.

Bamboo pole bound with bamboo grass, covered with dark pigment, and divided by three rings of woven bamboo grass and dark feathers. The wooden stop forms a crocodile merging into a crested bird. Both have cowrie eyes; the bird also has a row of fibre tassels hanging from the back and a cheek mound with feathers, shells, and a fibre loop.

Flute formed by a bamboo tube, split its whole length, held together with rings and lashings of bark and with a hole in the side near the stop. The wooden stop has a kneeling woman, with a bird on top of her head, and a human head upside down behind her legs with black cassowary feathers adorning it. Cowrie shells are inlaid into the eyes, the bird's neck, and the human foreheads. There is hair on the human heads and another fringe of cassowary feathers at the open end.

Wooden paint bowl, or container, carved in the shape of a frigate bird. The bird's head projects out from one end of the bowl, with its tail at the opposite end. A knotted and looped hanging cord is attached through four holes spaced evenly around the upper edge. The cord is made of twisted fibres. The bird is roughly carved, with pencil marks indicating the design. Writing on base in red ink.

Wooden navigation figure. The carving is of two similar wooden figures attached along their backs and heads, facing in opposite directions. The figures end at their thighs, which attach to a base of lime 'cement' with stingray spines embedded in it, projecting downward. Eight spines were originally attached, with four on each side, but currently two are broken off at the base and four others are partly broken. The figure has a long knotted and looped fibre cord attached at the top of the heads.