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Button Blanket1999-23/1

'In the Spirit of the Ancestors'-This robe is a collaborative effort between Haida artists Robert Davidson and Dorothy Grant. It was Dorothy's personal robe, worn by her on many ceremonial occasions in the 1980s and 90s. The dogfish design appliqud in the central panel is a crest of Grant's Yahgu'laanaas Raven clan.

Culture
Haida
Material
wool, button, pearl, bead and thread
Holding Institution
The Burke: University of Washington
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Model Cradles1-11430
Paint Case2323
Button Blanket2.5E1356
Tunic2

The ethnological collections of the Washington State Museum (now the Thomas Burke Memorial Washington State Museum) were greatly enlarged by the acquisition of the Emmons collection of Tlingit material at the close of the Alaskaka-Yukon-Pacific Exposition in 1909. At that time, curator Frank Hall began to catalog the collection. Perhaps arbitrarily, since Hall had to start somewhere, a pair of Haida dance shirts collected by James Swan for the Washington exhibit at the World's Columbian Exposition in Chicago were given the catalog numbers 1 and 2. The design on the front of the tunic represents a sea lion, while the one on the back is a killer whale, or orca. Killer whale and sea lions are crests of the Haida Raven phratry. (Holm, Spirit and Ancestor, 1987)

Culture
Haida
Material
trade cloth and wool
Holding Institution
The Burke: University of Washington
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Tunic1

The trade cloth is red and blue.

Culture
Haida
Material
trade cloth and wool
Holding Institution
The Burke: University of Washington
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Button Blanket1994-18/1

The wool is blue, felt, and red. The thread is red and white. The button is mother-of-pearl. The button is abalone.

Culture
Kwakwaka'wakw: Kwagu'l
Material
wool, felt, thread, button, mother of pearl shell and abalone shell
Holding Institution
The Burke: University of Washington
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Button Blanket1989-116/1

The wool cloth is green and red. The button is white.

Culture
Kwakwaka'wakw
Material
wool cloth and button
Holding Institution
The Burke: University of Washington
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Button Blanket25.0/274

The copper theme is a favorite with Kwakwaka'wakw artists. Representations of coppers are used as grave monuments, housefront paintings, and other objects, including button blankets. The button blanket is the traditional ceremonial blanket of the Kwakwaka'wakw. The general form is fairly uniform, with variations in the figures represented and in the details of the border designs. Most have as foundation a dark blue blanket, but green is not uncommon. All the materials in button blankets are products of trade. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
trade cloth, wool, cloth, button, abalone shell and burlap
Holding Institution
The Burke: University of Washington
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Doll1994-109/1

The cloth is wool, blue, and red. The cloth is cotton. The cloth is cotton and white. The felt is red. The button is plastic. The sequin is red, green, and white. The bead is blue. The bead is white. The thread is white.

Culture
Kwakwaka'wakw
Material
cloth, wool, cotton, felt, lace, button, plastic, abalone shell, sequin, bell, bead and thread
Holding Institution
The Burke: University of Washington
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