White globular tankard flattened at base and top. Diagonally fluted sides, pewter base mount, flat pewter lid hinged at top of loop handle. Green wreath on body front, flanked by "17 21". Inside are two birds perched on a spray of flowers.

White cylindrical earthenware tankard on flat base, loop handle from top to mid body, flat pewter lid hinged to handle top. On body in front is a standing figure in ecclesiastical garments, inscribed "S:Nicolaus". Green and orange floral sprig either side.

Cap of black silk damask with a flower and vines at the centre on each side, surrounded with a circle of five-petalled flowers, and with a smaller flower and vine motif on each side of the forehead. The cap is made of two halves joined at a centre seam from front to back, except for the opening at the top, round when worn. This opening and the forehead area are edged with narrow piping. The edge of the cap is straight across the forehead, but then is cut at a right angle so that it covers the ears. The lower edge forms a circle from the right angle to the top opening. The outer fabric is folded under at the ears and threaded on a cord. The cap is lined with blue-purple rayon damask with floral designs. A purple silk cord extends loosely across the top opening, attached at the centre front and back. At the back are suspended three purple tassels wrapped in silver thread. At the centre front is a complex knot design in purple cord, and five purple tassels. At each side above the right angle is attached a silver-coloured metal ornament in the shape of a basket of flowers. At the end of the back seam is attached an ornament of the same metal in the shape of a bat or cicada. Pieces of white paper are pasted to the inside at both sides, and inside the forehead area.

A very long cylindrical hairpin made of brass with a dragon head at one end. Long cylinder tapers to a point at the end opposite the dragon head. Head is much larger than the diameter of the pin and has many added details such as scales behind the head, a forward-facing flat flame-like projection on top of the head, moulded eyes, a nose, a mouth, added whiskers, a small beard, and long trailing ear-like strands. Mouth, and side panels are inlaid with red enamel, and there is an empty round hole at the front of the mouth.

Carved mask attached to headpiece by fibres. Face is painted in geometric designs in white, red, and black. Shells for the eyes. Headpiece has real grey-brown hair at either side covered in white clay and an extended ridge running front to back along the middle, and is built on a frame of strips of red orange-brown wood and bark cloth. Elaborate decoration.

Rectangular mat made from reeds woven together with bright, multicoloured wool; woven pattern of zigzags down center and on either edge.

Mask with a hooked nose, pronounced orange mouth and round eyes below an overhanging brow. Split-U details in large flaring ears. Black horse hair is attached to the head. Grey with black and white details, red nostrils and gold around the eyes, between the eyes and along the top of the ears. Unpainted on the top with several nails and attached cords.

Semicircular woven basket attached to a semicircular wooden bottom piece; two woven shoulder straps are attached. Two double bands of horizontal dark brown stripes across the centre.