Black wood spear point, generally round in cross-section, tapering at both ends. Bilaterally barbed at tip. Parallel, raised zigzag lines around circumference near socket end. Slight lip 4 cm. from socket end. Rasp and other carving marks.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Form is of graduating in size, having seven 'steps' on each side. Front and back surfaces are flat. Mirror with metal edging and outlined with two and a half rows of black beads at centre front. Small burnt circles outline form. On front, two crossing diagonal lines above mirror, two semi-circular lines below mirror, and a triangle on the base. On back, central line with paired lines curving away on either side. Beads, some loose and others strung together, are pressed into beeswax to form decorations: red and yellow cross above mirror, red and yellow diagonal line below mirror, three black rows below mirror on right, yellow bordered by red on left of base, black and red cross at centre base, five circles down each side, and four circles down centre back. Pink and yellow yarn pulled through hole at centre top, knotted with ends hanging free. Two red and two yellow pompoms on cord wrapped below mirror.

Mask (a) with flat top that has four feathers (b-e) inserted into a circular drilled hole at the top centre and is painted white with black and red details. The narrow forehead has large straight black eyebrows. The mask also has small semi-circular eye holes, a hooked nose with rounded semi-circular nostrils, a pursed protruding open mouth, a pointed chin, three crescentic ridged lines from the sides of the nose to the upper side rims. Two curved ridged lines and one painted line extend from mouth to temple, and there is a solid jaw line along side rims from temple to chin. On the reverse, grey-green cord has been looped and knotted through double holes drilled at centre top and on each side rim. Inscription.

Deeply carved hawk mask. Widely spaced u-shaped ears with interior red split u, trefoil-shaped design on forehead between ears, black brows, deeply inset eye areas with circular hollow eyes, pointed hooked nose that touches the centre of upper lip, rounded semi-circular nostrils, two ridged u-forms on temples, semi-circular scallop-like design on cheeks, deeply inset area around protruding continuous lip band, pointed chin, and two nails at top of ears. On inside, two metal hooks are screwed in below the forehead, a twisted cord is looped through both and knotted, two other pieces of cord are looped and knotted around first cord, signed at upper side on right, "Hawk-Kwakiutl-Margaret Bay."

Northwest Coast style humanoid face mask, painted white. Wide flat forehead has five stitches in a vertical row at right of centre; beaten copper brows are nailed above bulging circular hollow copper eyes, slightly indented at base, in black pointed ridged eyelid lines; straight nose has indented semi-circular red nostrils; open mouth has protruding red lip bands; two stitches in a diagonal line between nose and upper lip; black bands with three rows of dots extend from lower corners of eyes, curve on cheek to terminate at side rim; nails in some holes along upper rim. On reverse, cord is looped and knotted through a hole in each side rim, second piece of cord is looped and knotted through a hole in centre upper rim and around the first cord. Piece of folded cloth nailed above eyes; two nails at left of nose. Stitches and nails are to repair crack; paint flaking; copper on eye and brow on left have green areas.

Mask with roughly ovoid light coloured wood, tapers slightly to chin. Facial features asymmetrical, with a long thin nose, bulbous end, and flattened top. Almond shaped holes for eyes, horizontal slit for mouth, perforated nostrils are black from burning. Hair is gathered into bundles and affixed horizontally, using adhesive wads to the following areas: above and below each eye, below nose, and fanned vertically over chin. Dark brown burned lines form geometric pattern on each cheek and along eyebrow area. Burned hole at each temple has length of single twist fibre cord strung between and knotted on back.

Small roughly shaped guitar has rectangular head. Five pegs on underside extend through to top, with peg in each corner and at centre. Ends of three horsehair and two metal strings are wrapped around pegs, opposite ends are wrapped and tied around the bridge which is glued to the lower body. Four twisted palm fibre cords are wrapped and knotted around fingerboard. Fingerboard is glued and nailed to neck. Sound hole in centre of body. One strip of wood is bent to form sides, glued to top and bottom of body. Red and blue yarn looped and knotted around fingerboard next to head. Three pompoms attached to top centre of head by braided cord.

Small roughly shaped wooden violin (part a) has scroll-like end, peg-box with four pegs, thin white cord looped and tied around one end of peg-box, fingerboard extending downward from peg-box, four metal strings with one end of each string looped around a peg and the other end passing through a hole in the tail piece, looping over the string and is twisting, on two strings at tail piece are metal circles with short yarn fringe. Small dark brown cleaver-like instrument attached to string on right by thin white cord. Small square piece of wood beneath end of tail piece. Looped and knotted palm fibre cord passes through holes in end of tail piece and around knob glued to bottom back. Two s-curved sound holes cut into sound board on either side of strings between fingerboard and tail piece. Sound board, sides, back and fingerboard are glued together. Bracket (part b) bow has 38 calibre gun shell cartridge at one end, cloth-strip wrapped and tied at end of cartridge, multiple strands of horsehair emerge from cloth and extend down length to pass through hole in opposite end and are knotted.

Oval, green-brown face mask with smooth, contoured front surface. Eyebrow ridge forms a heart-shape with chin. Almond-shaped eye holes are deep-set, prominent high cheek, triangular nose with triangular nostrils at a ninety degree angle to face and mouth slit between thin dark pink-red wedge-shaped lips. Interior surface is grey-green with rough adze marks. Two small holes on either side of eyes. There is fishing line tied through the top set of holes. There are six other holes along the outside margin which do not go through to the inside. Hole at top back, slightly off-centre. Wood is checked at top margin.