Long rectangular tube with rounded corners, drilled hole through centre, longitudinally, and circular human figure with head appendage at top. Head is flattened in side view; raised forehead and nose; heart shaped facial plane with incised, dark brown crescent-shaped eyes and mouth. Relief carving on tube includes arms which are pulled back along figure's side; feet are sticking out 2/3 rds of the way down the tube. There is an indentation indicating legs. Seal on back with raised head at bottom, inlaid round nostrils, eyes and smaller circles behind and to the sides of eyes. Front limbs straddle tube; seal tapers towards back with back flippers indicated by vertical lines and curved lines converging to end from 2 dots. Incised decoration includes; semi-circle line on figure's chest, along this line is a stick figure with arms outstretched between 2 rectangles, one of which maybe an animal; large frontal figure at bottom, below feet is crosshatched with arms raised. Decorative band on at bottom edge on sides and back are 3 horizontal lines; between first and second are triangle shapes extending in from both lines. Arrows on each side. Design worn on side. Few longitudinal cracks, some carving marks and embedded dirt. Head has been broken and repaired with adhesive.

Cup-form swivel toggle, or harness swivel, with a piece of flat leather knotted through the hole in one end. On cup bowl side, a short tang faces in over bowl. Cree syllabics are incised on tang, either side of concave bowl surface and in dots at shaft at leather thong end. Rows of dots encircle shaft end; two rows of dots at outside, one row towards cup. Outside convex surface has longitudinal ridge crossed by a single row with u-shaped towards double row along rim. Shaft end has two rows of dots at outside circumference and at cup. A double row of dots in a u-shape, cross the centre line at each end. Leather thong is cut at outside end with a hole 1 cm from the end.

Black, white, and red wild man mask that has thirty-two holes drilled into the upper rim with strands of brown hair glued into each hole. Black dome-like forehead. Hollow circular eyes are surrounded by a sunken white eye area that extends downward into the nose that has curling hollow red nostrils. Wing-like white cheek ridges meld with the nose and terminate at the protruding upper lip. Upturned pointed chin. Pursed-like hollow open mouth outlined in black while the lips and the interior of the mouth are red. On the reverse, there are two metal 'eyes' screwed in at the sides of mask at eye level while a leather strip passes through both eyes and is tied. Signed 'J. David 84'.

Red and black eagle spirit mask that has white fur on the top rim and the eyebrows. White fur 'hair' consists of many small pieces of fur sewn together and then nailed to the top rim and the brow ridge. Dome-like forehead has form line design beginning at the brow on the left and extending diagonally across the forehead to the top rim on the right consisting of two red split u's. Solid diagonal black line on the left of the forehead extends from the side to the top rim. The cut out circular eyes are red surrounded by a black area. The black nose is hooked. Raised cheek ridges. On the left, there are two diagonal lines, one narrow and the other wide, extending from the cheek ridge to the lower rim. At the side on the right, there are two diagonal lines, one wide and the other narrow, extending from the lower rim through the corner of the mouth to the end high on the side rim. Open mouth with twelve white shell teeth, teeth glued on to a leather strip which is nailed to back of mouth opening. Chin is slightly raised. On the reverse, there are two metal 'eyes' screwed in at eye level.

Eagle transformation mask that has three beak portions joined by wedge-shaped pieces of wood fastened together by cloth and string; beak portions are pegged and hinged to an exterior wooden mount behind the interior human face mask; wood and string lever at base operates mask. Exterior closed: top of mask has three wedged shaped pieces painted white with black spots, down feathers glued to surface. Both upper beak portions identical with wedged shaped pieces above eye painted white with a solid black curvilinear design; black brows outlined in white; green face, white above beak and at jaw line; red optic liner, black and white eye; below black beak red nostril outlined in white; red lip band; wedge shaped pieces protruding from mouth are white with a solid black curvilinear design; underside of lower beak has two distinct painted parts; rear of beak, including wedge shaped pieces on either side, are painted white with black spots, down feathers glued to surface; upper portion of lower beak is black with a red lip band around three sides. Interior open: beaks painted black; red lip band visible on lower beak portion; beaks slightly concave, rim of upper beak portions graduate in depth; wedge shaped pieces form a circle around human face mask; dogfish design at the four cardinal points. Human face has hair inserted into drilled holes along top rim; white forehead has three green-grey u forms outlined in red, thin black line defines centre split u; black brows; green eye area and nose; eyes are white bored circles with red eye sockets; red nostrils; white cheeks have four solid green-grey u forms on either side of mouth; black moustache-like line extends from nostrils to corner of mouth; open red lipped mouth; white jaw area has four rows of short horizontal strips; black chin; black smudges on jaw and under lower lip.

Round face, flat in cross-section with oval eyes cut through. Shallow channel over eyes and outlining cheeks. End of nose grooved in v-shape with diagonal lines, in relief, running from nose down to jaw. Oval mouth in relief. White and grey pigment in low areas and grey patchy areas, especially around outside edge.

Male or generic form with crease incision on each side (front and back) indicating arms. Round head with flattened face and wide triangular nose in slightly higher relief. Horizontal incision for eyes and mouth and across bottom front of torso. Bowed legs. Back, buttocks, and backbone are defined by slight indentation.

Forehead mask of a woman, whose head is a rattle, sits on the forehead of an eagle; hair, black wire wrapped around ends, is inserted into eleven drilled holes on top of the woman's head; black and orange-red paint are used to emphasize features; front human head has black brows and eyes; wide flat nose has orange-red nostrils; wide continuous orange-red lip band; prominent cheek ridges; ears on either side of head; back of head is yellow cedar with flat face depicted in incised circle; black brows; circular black eyes; broad flat nose with orange-red nostrils; wide continuous orange-red lip band. Body, shown only on front, has arms slightly extended and bent, elbows and forearms rest on eagle's brows, hands are downturned; legs are drawn up next to chest, four black claw-like toes on each foot. Eagle has black brows with horizontal rows of short orange- red lines; black bulbous eyes; thin sharp beak incorporates wide orange-red lip band, flattened semi-circular nostrils on either side; orbital ridge melds with cheek ridge which follows line of lip band; triangular depressed area under lower beak. On reverse, a leather strip is attached to either side by a singular stitch of white waxed cord, cord is also tied around leather. Signed inside: 'B' 'D'/87 'Dempsey Bob Tahltan Tlingit.' Unpainted wood is finished with oil.

Figure of female form, flattened in cross-section with rectangle above featureless oval head. Carved diamond-shaped channel outlining slightly bulbous abdomen, large flat breasts, and legs truncated above knee. Back side is slightly concave and very porous. Rasp-like marks on side of one leg.

Female caribou head with neck tapering in wedge shape. Mouth and nostrils are well defined at end of muzzle. Eyes on each side, one has remains of wooden plug. Oval ears in relief with deep canals. Hole drilled through at back of head. Numerous lines across neck.