Wooden carving of a woman lying on the back of a sea monster(?); she is shown nude, lying flat on her back with knees slightly raised. She has a labret in her lip. The creature's body is divided into three segments. Its head is painted black with red nostrils, the eyes are round and green, and the gills are well defined and delineated. The tail is black and split, with yellow and red concentric circles at each corner. A circular space has been carved out of the wood under the creature's head.

Male figure standing upright and holding two animals, possibly otters, one against the front of his body and the other wrapped around the left side of his head. Head is large and convex with a cut from the top of the forehead which suggests the figure is wearing a mask.

Large bone, one end of which is plugged with a disc of petrified or fire-hardened wood. Entire surface is carved with a design resembling a sea creature with human-like limbs. Has large circle in tapering oval eyes, a u-shaped nose that has diagonals within, below which, there is a circle in a circle at either side with an open mouth underneath that shows four fangs. Human-like limbs curve around from the back to the lower front. Top of the head is incised with vertical lines. Back of the head has two vertical rows of six, totalling twelve, dots along the upper portion with a large circle below that has two smaller circles within from which a fan-like shape of cross hatching radiates.

Human face mask divided horizontally through the eyes. The two parts are joined with string through holes drilled in the ears. The brown face has circular cut out hole eyes surrounded by a black area that extends down the sides into a red feathery feature. The nostrils, mouth and ears are red. Above the open, upward pointed mouth, there is a curling black moustache. Red feathery hair above. Surface is smooth. Lightly painted in red and black. Series of holes around the upper perimeter are plugged with small pieces of wood.

Male samurai figure (part a) seated on horse (part b) with one arm perpendicular to body, holding a rattan staff (part c) with his right hand. Left arm rests near long curved sword, attached to waist with silk cord. Quiver with five arrows on back. Figure made of straw, has white ceramic face and black fibre wig, dressed in gold silk brocade, with armour of gold coloured metal lamellae laced with red and pale blue silk and brown leather. Horse (part b) of paper mache(?) is covered in imitation grey fur. Brown glass eyes. Reins of purple and white diagonal striped silk, bridle and long body fringe of red silk, saddle of leather, lacquer, silk and fur.

Wooden, rectangular cabinet shrine (a); open side has inner and outer set of doors, hinged at the sides, each door also hinged in the middle. Painted and lacquered black and gold, with brass trim; outer doors have gold-painted panels; inner doors have slats covered with fine cloth net. Carved panel with phoenix painted gold over inner doors. Inside is shelf with four pillars, under which are three panels with scenes. Drawers (b-c) in lower part of shrine; b has lacquered panel with scene; c is black with brass knob. Lacquered wooden tablet (d) is resting on a carved golden lotus, on two legs with eight Chinese characters.

One piece, cylindrical, brown wood club with slightly flared ends. Stout shaft swells slightly to carved blunt grip end. Carved pattern is vertical zigzag lines separated from others by straight lines and bordered by four horizontal bands of the same. Extends down the length to cover one-fifth. Blunt opposite end is conical-shaped. Dark brown patina.

One-piece wand carved from dark brown hard wood. Shaft flattens out and flares to paddle shapes at both ends. Curve of ends and shaft elevated by carving out large sections between the two. Dark brown patina.

Trapezoid-shaped block of wood, hollowed out and re-closed on one side with a piece of fitted wood. There is a hole in the bottom of the base and at the curved end for sound. There is a hand grip carved into the wood at the end where the metal prongs are attached. Eight metal parallel prongs are held in place by a cross piece metal bar attached to the base by wire loops threaded and resting on a right angled strip of metal at one end, and a strip of wood at the other. There is a round metal sleeve on each prong. The strips of lightweight metal are wound around the base of each prong (or key) to act as resonators. The top face has a linear design burnt into the wood.

An elongated face mask with carved extensions from the top and the bottom. The forehead is raised. The face recedes sharply. The eyes are set upon the facial surface and are oblong with dark centres, looking straight ahead. The nose flares. The mouth is oblong with a surrounding raised area. The chin is raised from the facial surface.