Sake cup. Round shallow dish-like cup, on raised single ring foot, of very thin wood, lacquered red-orange. On upper surface is design of two cranes with pine shrubs, in two shades of gold, with touches of red and black. Cranes are in low relief; remainder of design is flat.

Netsuke carved of ivory, light brown, with dark brown incised areas; cylindrical shape, with vertical striations, carved to represent rope bindings in three places. At one side are two holes, through which passes a cord of green/brown braided silk 2.4cm. long (double). At one end of cylinder is carved a rat; diagonally below this near opposite end is a round hole from which can protrude the head of a snake, which moves freely in and out of the hole.

Netsuke carved of medium brown wood, roughly in the form of a cone-shaped seed pod, with 8 rounded cylindrical pieces projecting from holes in the base. Pieces can move freely in holes. Projecting from top of cone is an irregularly cylindrical piece representing a stem, bent down and attached to lower edge. Surface of cone is striated; bottom surface is stippled.

Netsuke carved of very hard lightweight dark brown wood, consisting of elliptical- shaped ring to which are attached (all carved from one piece of wood) two ellipse shaped pieces, one end of each is carved out leaving a ring which passes through the central ring. The other end of each is bulbous and hollow, with a slit around the periphery, the slit having a circular perforation at each end.

Netsuke carved of highly polished ivory shaped like a rectangular cube with rounded edges and corners; one short end having several diagonal grooves. Two holes connected transversely bored at mid-point on one side. A rectangular hole is cut through the piece 1-1.5 cm. from one end, through which is inserted, at a 45 degree angle, a rectangular piece of black wood, protruding edge is irregularly grooved. Colour varies from yellow to dark brown. Some cracking.

Collapsible fan with 18 inner ribs made of ivory and two ivory ribs on the outside. The outermost ribs are carved with a floral design. One side is covered in white silk, which has been stiffened and has a light bown paper edge. The silk is painted with a design of cranes flying over a marsh, in grey, white, red, yellow and blue/green. The ends of the ribs are fastened with a u-shaped brass loop to which is knotted a knotted grey silk cord ending in a tassel.

Carved wood figure of a human with arms folded against the chest so that the hands are upraised and the legs broken off and trimmed at the knee. A small hole extends from the back of each knee to the front. Face has grooved, circular, dark blue eyes with dark blue brows above, a plain triangular nose, and a wide protruding mouth. Hair has been engraved at the back of the head which has a cap on top. Painted features in blue, green. and yellow with detailing including dark hair, a yellow face, a yellow shirt that has dark blue buttons and arm bands, and dark blue suspenders and trousers.

Cylindrical beater with light brown handle decorated with horizontal brown bands and shaped into four phalanges at one end that are separated by three grooves in which are three concentric free-moving concentric wooden rings. Attached to the end phalange is a flattened dark brown sphere with deep horizontal groove with four slightly translucent cream-white material insets (pillars), incised linear horizontal lines and leaf design around circumference. Slightly translucent cream-white material carved disk inset at end surrounded by five small inlaid slightly translucent cream-white material disks.

Carved wooden headrest composed of a long, rectangular piece that curves slightly downwards at the centre and is supported by a rectangular block at each end. Each block has a raised geometric design consisting of a row of diamond shapes on either side of a vertical band. The ends of the headrest have a raised chain-like geometric design on the top surface. The raised areas of the design, the edges of the top surface, and the sides of the blocks are painted black.

Printing woodblock depicting the Four Heavenly Kings, each holding a stūpa, umbrella, sword, or pipa (stringed instrument), with the Bodhisattva in the middle. Background of clouds and mountains and halos around the heads of all five figures. On back is a torn label reading '59'; number 3944 written in black ink.