Plain tapering shaft with a very elongated hourglass-shaped end. Appears to have been painted black. The extremely long dark point is plain. The hourglass-shaped end is brown. Fibre is wrapped around the base of the point just above the hourglass-shaped end.

Long hardwood point set into softwood shaft. The shaft is painted white, red, and black from bottom to top. The long red-brown point is plain. String is coiled around the base and the end of the shaft.

Long, thin, cylindrical spear. Long hardwood point lashed into softwood shaft. Shaft is painted in sections of black, red, and white. Long red-brown point is plain. String is coiled around and held in place with resin at both ends of the shaft.

Stone grey-brown seal, cylinder in shape, with two lozenge designs in intaglio; both ends have boss-like finials.

Calendrical device. Thirty-seven undecorated sticks in total. Divided into three bundles of thirty, plus one bundle of seven.

Eight barbed prongs set into shaft which is painted in white and red sections. The wood fore-shaft is set into the reed shaft. Base of the reed shaft is wrapped with stem ? or fibre. Wood fore-shaft is painted white at either end. Base of the wood fore-shaft is also wrapped with stem ? or fibre. Remnants of prongs are at the end.

Three prongs are firmly set into a brown wood shaft. Each prong has a barb. The shaft is painted in sections of white, black, and red from bottom to top.

Long, tapering, brown wood shaft with a point that has one barb.

Plain tapering shaft with barbless leaf-shaped point. Plain, long, brown wood piece with a narrow lance-olate leaf-shaped point with a long tip and a slim shaft that bulges around the near the lower portion. The other end is thicker (where it is bulging) and is pointed as well.

Human face mask painted black with red circle cheeks, lips, and nose. Appears to have been gessoed before painting. Eyes are cut out with 'bags' underneath.