The end of the dark brown, wooden handle has a large, leaf-like pattern to one side. The wooden handle is fitted into a scroll designed brass band. The blade is thin where it meets the handle, is bent and redirected upwards, and gets thicker towards the point.

Box made of black horn with a hinged and flanged lid. The top is recessed with a hole at each corner, and the corners are rounded.

A dark black wood mask with two stylized faces forehead to forehead and having forked ends. The foreheads are in the middle and are upraised. One face is upright with the other face inverted in a mirror image. The eyes are horizontally slit with rounded oval eyelids. There is a nose and slightly open pursed lips. One face has a horizontal indent under each cheek while the other face has slightly fuller cheeks.

Figure in seated position with hands clasped around knees. Head is turned up and towards the right.

Seated figure with knees up at chest and arms down sides with hands clasping buttocks. Figure has an elongated head with open mouth and eyes.

Oval shaped tray with carved floral design in relief. Red lacquer finish on top and sides; bottom in black. Two seal-like marks in red.

Shallow rectangular tray with a depiction of a blossoming cherry branch in red, green, and brown. Unmarked.

Seated Buddha in a meditative position holding a peach.

Standing figure of Hotei depicted with his usual expression of laughter. He is clothed in loose attire revealing his abdomen and carries a fan in one hand. Hotei is a legendary Chinese Zen priest known as Pu T'ai. He is said to have lived in the T'ang times as a vagabond priest with a large bag carried on the end of a stick.

Traditional-style electric lamp post made from dark brown wood and opaque white glass panels; square shaft, house-like light box with roof-like top, and rounded finial.