Mask with male face and eleven wood ornaments. Symbolizing water, heaven, and earth. The mask is painted with stylized black eyebrow, eyelashes, moustache, and goatee. The small eyes, nostrils, and slightly open mouth with teeth, are cut out. Two surrounding curved wood sticks are attached to the mask along the sides with four pegs. Eleven black feathers are attached all around the mask through the two surrounding curved wood sticks and have a wood ornament attached at their ends, starting from the top, clock-wise: fish, peg, hand, peg, fish, foot, foot, fish, peg with fluffy white feather, hand, and peg with fluffy white feather.

Three-dimensional male humanoid puppet: large head (part b) fits into body with vest and skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure has a gold painted torso and arms. Hands bent back at right angles, fingers slightly curved upwards. Face painted white, with narrow straight nose, slit-like eyes, with lowered lashes and narrow red mouth. Face cast in downwards gaze. Cap-like headdress and with elaborately carved gold jamang, topped by garuda (bird-shaped ornament); also with upper sumping and ngore. The figure is wearing a black velvet vest with a beaded star-shaped pattern on chest and a gold sequin at the centre. The beads are clear with a frosted finish, and green. Dark red velvet beaded apron with three star-shaped, clear sequins and metal beads in a T-shape at the centre. Light purple, orange, yellow and off-white batik skirt.

Various vessels for ceremony; 2 vases, 2 cups on stands, a larger cup(?) and a lacquered stand(?)

Tall, rounded vase (part a) that flares from the centre towards the top; covered with a blue on white design of two phoenixes in flight surrounded with flowers, leaves, and clouds. Wooden lid (part b) is dome-shaped with a finial. Part c is a circular wooden stand with four legs.

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft that passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. Head positioned forwards; cream face with white eyes. Black pupils looking slightly downwards; black hair, moustache, facial details. Small closed red lips. Curved pointed nose. Large crown (mahkota) headdress in red, gold and green; includes Garuda Mungkur and large badong. One hair curl (kendit) with gold stripe. Gold neck and torso; black chest and shoulder covering with rectangular apron; white trim, sequins, twisted wire decorations. Yellow frill at base of apron. Long batik skirt in beige, orange, blue and red. Each arm has ornaments in red, white, and green at wrist and bicep.

A set of arrows with wood shafts carved into ends painted with stripes of red, green, and blue, each with three split feathers. The bark has not been peeled off the tips of three arrows (parts a-c).

Three-dimensional male humanoid puppet: large head (part b) fits into body with skirt (part a), and a control rod (part c) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached. The figure's face is glossy pink with black moustache, sideburns and caste mark. White eyeballs with black pupils; four gold teeth exposed. Yellow neck; black backswept hair outlined in gold. Light pink, green, red, and gold crowns; same colours repeated in elaborate headdress which rises at back to a form resembling a bird with a lolling green tongue. Upper row of jagged teeth . Figure wears black jacket, pink upright collar, edged with red on front; wide green band around waist, narrow red belt. Jacket sleeves have inserts above the cuffs decorated with red braid. Red cord at back of neck forming epaulettes. Orange shoulder sash; white vest, small yellow piece of fabric at neck line. Long batik skirt, coloured cream, brown and black. Hands yellow.

Three-dimensional male humanoid puppet: large head (part c) fits into gold painted body with skirt (part a), and a control rod (part d) with a long shaft passes through the body and fits into the neck of the figure's head. The body has jointed arms, each with a long controlling rod attached, and the figure's right arm (part b) has become detached. The figure has a dark pink face, a blunt nose; white eyes have dark red pupils. White protruding upper teeth with fang at each corner of mouth; black hairy moustache, painted beard. Headdress consists of black cap, blue-striped scarf around forehead, gold triangular sumping (ear ornament) behind ear and grey Garuda (mythical bird) above grey fringe of curls. Torso painted gold and covered with black velvet cloth. A black velvet apron is sewn to the waist with red glass beads in sun ray design and a band of woven gold thread and ribbon at waist. The figure is wearing a beige cotton with brown geometric batik design. Red and white carved bracelets at upper arms and wrists; hands upturned.

Big dark red painted and burned face. Four-petaled black flower design on forehead and at sides of head. Upraised brow above horizontal slit cut out eyes and long thin rectangular nose. Oval cheek indent outlines. Slightly carved horizontal mouth. Grey ribbon for hanging at back.

Noblewoman (part a) of Heian Period. She has an elaborate coiffure with four bright flowers and silver ornaments as her hair is tied up in a fan-like bun at the top. She is holding a long red fan (part b) trimmed with gold in her right hand. Her dress is adorned with long ribbons and ties. Label reads "Japan". Standing on a flat tree trunk for a base.