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Long, carved wooden gong, cylindrical in shape with two protruding handles at both ends. The sides are carved in relief with a stylized geometric design that has triangular detailing. The handles have a bird-like figure with a long beak and forehead; two cylindrical shaped arm-like structures run along its side. Underneath is a semi-circular piece of wood detailed with a geometric design the runs from the top of the figures head to the side of the drum. Drum is slit at top from one end to the other; covered with a thin layer of red ochre.
Carved wooden, oval shaped mask representing a face. The top of the head is inlaid with two different types of shells. The forehead is elongated with a ridge down the middle and recessed eyes inlaid with cowrie shells. The nose is protruding and has a section of a boar tusk in each nostril. The mouth is partly open exposing carved teeth. Bundles of sennit fibre line the bottom edge. The mask is painted with orange, black and white pigment. The back is undecorated.
Mask depicting a long and narrow human face with protruding eyes, a protruding tongue and a recurved nose with the head of a boar-like figure at the chin. The face is heavily encrusted with shells at the edges, and ornamented with black cassowary feathers at the sides. Tusks protrude from the nostrils and the cheeks as well as from the cheeks of the boar-like figure. Sennit fibre tassels are tied through holes along the protruding rod running from the forehead to below the mouth. A loop hanger is attached at the top.
Carved wood mask consisting of a head with an elongated brow; a long nose, mouth and chin. The top of the head is decorated with cassowary feathers and a small tuft of human hair. The face is elaborately detailed with dark blue, light blue and brown stylized designs on a white ground. There is a long, cylindrical shaped piece of wood that stretches from the bottom of the nose to the bottom of the mask; on the end is a small carved bird. The forehead and the side of the face are inlaid with rows of small shells; the eyes and sections of the forehead are detailed with inlaid cowrie shells. The nose has boar tusk on either side. The lower sides and bottom are lined with small bundles of sennit fibre. The bottom tip and the sides have bundles of black feathers.
Large, carved wooden shield, oval in shape painted black and brown with pigment. Carved in relief are two large birds, one at the top facing upwards, the other at the bottom facing downwards. The beaks of the birds curve down into the shield, the eyes are inlaid with cowrie shells the feathers are incised and their wings are spread wide. The top bird has a long tail while the bottom bird’s tail forms in the mouth of a human face. The head is a slightly protruding forehead, a high brow that exaggerates the large eye sockets; the eyes are inlaid with large cowrie shells. The nose is large and pointed with a hollow septum and a piece of fibre twine tied through. The mouth is triangular with bared teeth. The background is painted and incised with a repeating stylized pattern. The underside is hollowed. There is a fibre twine looped tie at the top.
Small wooden paddle, with a painted bird head design. Tip of letter opener is painted red with red cross-hatching at the other end; handle and reverse side are unpainted. Artist signature and date on the back.
Small (child's) thunderbird headdress with a curved beak, protruding ears, cedar bark hair, and red and black paint. Inscription on reverse.
Pole of T’st’entsit. Carved in high relief out of cedar wood. Crest figures from top to bottom: mythical woman; Kulus (related to Thunderbird); sisiyutl (double-headed serpent), its horns now missing; human form of sisiyutl, holding a copper; Gwa’wina (raven). The large protruding beak of the raven has been attached. The entire surface is painted in black, white, green and red.
Doll representing a male figure carved out of wood with articulated shoulders and ankles. His face and hands are painted white with hair, eyebrows and eyes painted in black, and a mouth painted in pink. A braid hangs down his back, tied at the top with a long black ribbon on one half of which are adhered four square gold decorative elements. He wears a very pale blue hip-length silk jacket lined in white, lapped to his right and tied at the waist with a separate pink sash tied in a single-loop bow. The sleeves of the jacket are made of parallel bands of various bright colours. The jacket has a self-facing at the neck and a narrower white facing. Under it is a white cotton jacket that is slightly shorter. The figure wears full white cotton pants tucked into ankle wrappings which extend over white socks.
Wooden northern style canoe with a Haida design painted on the outside. The canoe is painted black with Northwest Coast stylized designs on the ends in red, white and black. Depicted on each side is a Killer whale with its head and dorsal fin on the prow and the body and tailfins on the stern. There is a red border around the upper edges. The ends sweep upwards. The prow is grooved to hold a harpoon or mast and has a vertical fin to cut through waves. The interior is also painted black and has three rectangular bench seats.