Mask with top knot of folded cedar bark wrapped with a strip of red plastic near the base. The mask is painted grey and has two indented diagonal curved shapes near the top of the forehead. Curvilinear eyebrow ridges extend beyond the side edges, and beaten copper is nailed to the surface of each. The eyes have circular hollow protruding pupils made of abalone shell, and the hooked beak-like nose has wide rounded nostrils. The open red mouth has pointed recurved lips. The mask also has a pointed chin and a series of black curved lines that accent the cheeks from chin to temple. Signed by artist on reverse.

Horizontal whale headdress that has a carved skeletal body, dorsal fin attached to black spine by wooden wedge and glue; black hair, ends wrapped in wire, have been inserted into five drilled holes along back of fin; light blue band, close to top of fin, has a circular hole; carved profile face at base has square abalone shell teeth; fin outlined in black; backbone has unpainted spaces between disks, four pieces of inlaid abalone on each side of fin; circular hole at neck; tail flukes have incised triangular areas between two black ovoid eyes, orange-red and light blue u forms on either side of eyes, flukes outlined in black; two curved ribs on each side attach to spine and black band base, final rib before tail is black; band base has two incised crescentic marks on each side, under tail flukes are two circular eyes with split u forms on either side, incised triangular design between eyes, crescentic shape above each eye; pectoral fins overlap band base and have u, ovoid and a tri-pointed design; head has a curved forehead with a vertical ridge between the eyes; orbital ridge melds with the snout and lip band; upper portion of eyes protrudes; black eyes in narrow pointed eyelid lines; upper incisors overlap lower lip band. Beneath jaw is an incised dogfish head with black brows, flat flaring nostrils and a wide continuous lip band. Underside of tail flukes signed: Dempsey Bob 1987; b imposed on a d/87.

Three sided bowl with rounded corners. Wide straight red-brown rim with two indented horizontal lines around circumference. Inner rim is beveled and flush joint shows faintly at outside. Brown bowl tapers to flat bottom. Centre bottom has small rectangular hole with six faint incised lines radiating out. Inner surface is rounded with a black rounded triangular insect-like creature painted at centre. Creature has a series of tiny vertical lines out from tail, bent legs on either side of head, tiny fin-like appendages above each leg, circular eyes and nostrils, and wide curved mouth with tiny lines indicating teeth. Three pronged line extensions from body.

A spherical orange-brown gourd with a small stalk at the top. Shallowly carved onto the sides, revealing a lighter colour than the outer skin, is a complex village scene with trees, houses, various human figures and a bull fight--the top and bottom have geometric and floral borders. Red colour has been applied in several places, as have a small number of places been blackened by burning. A jack-o'-lantern-like top with a zigzagging edge has been cut out around the stalk.

Carving has blue and green cone-like top with six horizontal ridges and ten vertical cuts in which red yarn has been applied with beeswax and ends join to form tassel at top of cone. Pink yarn wrapped around base of cone, with yarn knotted on either side of cone and having the ends hanging free. Red yarn wrapped beneath pink, knotted on either side of cone with ends hanging free. Below cone are five circular layers with small circular holes burnt around edges and between each layer. Four circular decorations on each layer consist of beads pressed into beeswax. Two pink and two yellow pompoms between third and fourth layers. Rounded base has five beaded decorations and a zigzag line of burnt circles.

Hollowed gourd bowl covered on exterior with beeswax and inlaid with glass beads in a design consisting of white deer with cross above centre of body, red and black undulating line at centre of body, outlined in black. Two red and yellow figures both with arms outstretched, one is seated on a white and black chair the other is standing. Two u-shaped bases have double crosses above with blue ground, and yellow rim. Black divided circle on base has green and white triangular shaped wedges. Bowl contains three sticks inserted into beeswax. Two sticks are painted in blue and red bands, notched at upper end. Centre stick wrapped in red, blue, and pink yarn. Diminutive representations attached to each stick with braided or wrapped yarn, stick on left has a guitar, two bows, god's eye, paper sandal. Centre stick has drum, bow, arrow, shield, and feathers. Stick on right has violin, bow, god's eye and a paper sandal.

Vertically rectangular wood piece. Eagle bird design carved in the centre. Eagle has a wide, red face that is outlined by dark blue with circular abalone shell inlaid eyes surrounded by a tapering red oval surrounded by a white ovoid outlined by dark blue. Downward curved, white beak is has a lower red lip with six oblong abalone shell inlaid teeth. The red body has a vertical row of four vertically, rectangular abalone shell inlaid pieces. The outward pointing, white claws have four downward pointing, red digits. The red side wings have downward pointing, dark blue outlined, white triangular feathers. The trapezoid-shaped tail is white. Six horizontal rows of upward pointing, dark blue outlined, white triangular shapes are at either side. The background is red. Rectangular abalone shell inlaid pieces are around the border with six at either side and seven along the top. The outer edges are white with a narrow vertical wood strip painted white attached at either side by leather skin.

Large rectangular yellow cedar panel, with a centre circular relief carving with painted orange-red primary form lines, black secondary form lines and anatomical features; negative space in and around carving is oiled. Image: two black side bands have frontal orange-red frogs with splayed bodies on either side of head, subtle differences in depiction of each frog. Central image: combines bird and mammal features; top half is frontal mammal's head with double split u ears, heavy bent brows, square-like pupils in pointed eyelid lines, broad flat snout joined to top of continuous lip band, six wide rectangular upper teeth; pointed beak joins bottom lip band, split u nostrils, wings, angled on either side of beak, have identical frontal animalistic faces, beside each face is a three claw foot. Signed at bottom corner on right: Bob/87, the letter D is carved over the letter B. Numerous tiny holes and oil spots along bottom edge.

Mask made from cut out planks of wood formed in a triangular-shape with flat sides, a thin adjoining nose piece and rectangular shaped pieces of wood at the back. Detailed in blue, black and red stylized forms is a lightning serpent with a carved snout which is painted black along with the eyebrow and mouth. The large red eyes are outlined in blue. The mouth has red teeth bared. Attached to the top of the mask are long, thin strips of cedar that hang down to cover the head of the wearer. Incised in the inner side is: ‘Clayoquot serpent headdress, J. David, 80’.

White woman mask has light orange-brown hair interspersed with black, hair inserted into twenty-six holes along upper rim, affixed with glue and wooden pegs. Slightly curved forehead. Light red arched raised brows. Circular hollow eyes. Brown eyelid line extends from above the brow on the temple, around the eye, and curves downward on to the cheek ridge. Aquiline nose. Slightly rounded cheek area has faint pink hue, as does the under-brow. Carved ears. Patchy pink lip band while the lower lip protrudes slightly. Rounded chin. On the reverse, there are thirty-one holes in the upper rim. Two metal 'eyes' screwed in above eye level. Wire passes through 'eyes' and is twisted. Two cylindrical wooden pegs at the base of the ears. Signed in pencil 'J. David '87'.