Deeply carved humanoid mask has black stained cedar bark strips folded, wrapped and tied to u-shaped ear projections and to upper edge of brow ridge; beneath cedar bark, between ear projections, red scallop-like design; ears have a series of rounded forms with a triangular form at base; large arched brows; deeply inset blue eye areas with black and white circular hollow eyes; hooked nose has curled tip resting on upper lip; rounded flaring hollow nostrils; deeply inset blue area around open mouth with protruding red lip bands; curvilinear t shaped design on cheeks; black and red coil at side rims meld with black chin. On reverse, thin wire is wrapped around a screw at each side rim and a nail at centre top to form a hanging device; red and black paint around eyes, nose and mouth; signed at side on right 'cockle hunter (Bookwus)' Glenn Tallio Nuxhalk Nation Bella Coola B.C.'87.

Two part arrow. First part is bamboo with notched end, three blue and two yellow bands around end, three feathers bound at top and bottom over bands. Second part is wood, fitted and bound with fibre into the bamboo, narrows to blunt end.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Mask (a) with flat top that has four feathers (b-e) inserted into a circular drilled hole at the top centre and is painted white with black and red details. The narrow forehead has large straight black eyebrows. The mask also has small semi-circular eye holes, a hooked nose with rounded semi-circular nostrils, a pursed protruding open mouth, a pointed chin, three crescentic ridged lines from the sides of the nose to the upper side rims. Two curved ridged lines and one painted line extend from mouth to temple, and there is a solid jaw line along side rims from temple to chin. On the reverse, grey-green cord has been looped and knotted through double holes drilled at centre top and on each side rim. Inscription.

Deeply carved hawk mask. Widely spaced u-shaped ears with interior red split u, trefoil-shaped design on forehead between ears, black brows, deeply inset eye areas with circular hollow eyes, pointed hooked nose that touches the centre of upper lip, rounded semi-circular nostrils, two ridged u-forms on temples, semi-circular scallop-like design on cheeks, deeply inset area around protruding continuous lip band, pointed chin, and two nails at top of ears. On inside, two metal hooks are screwed in below the forehead, a twisted cord is looped through both and knotted, two other pieces of cord are looped and knotted around first cord, signed at upper side on right, "Hawk-Kwakiutl-Margaret Bay."

Northwest Coast style humanoid face mask, painted white. Wide flat forehead has five stitches in a vertical row at right of centre; beaten copper brows are nailed above bulging circular hollow copper eyes, slightly indented at base, in black pointed ridged eyelid lines; straight nose has indented semi-circular red nostrils; open mouth has protruding red lip bands; two stitches in a diagonal line between nose and upper lip; black bands with three rows of dots extend from lower corners of eyes, curve on cheek to terminate at side rim; nails in some holes along upper rim. On reverse, cord is looped and knotted through a hole in each side rim, second piece of cord is looped and knotted through a hole in centre upper rim and around the first cord. Piece of folded cloth nailed above eyes; two nails at left of nose. Stitches and nails are to repair crack; paint flaking; copper on eye and brow on left have green areas.

Oval, green-brown face mask with smooth, contoured front surface. Eyebrow ridge forms a heart-shape with chin. Almond-shaped eye holes are deep-set, prominent high cheek, triangular nose with triangular nostrils at a ninety degree angle to face and mouth slit between thin dark pink-red wedge-shaped lips. Interior surface is grey-green with rough adze marks. Two small holes on either side of eyes. There is fishing line tied through the top set of holes. There are six other holes along the outside margin which do not go through to the inside. Hole at top back, slightly off-centre. Wood is checked at top margin.

Human face mask with smooth front, straight nose in high relief extending from curved eyebrows, and oval eyes cut through. Triangular nostrils cut in nose from bottom. Mouth is hole created by two intersecting ovals. Remnant of dark painted lines, vertical wedge on chin, horizontal line on left cheek, eyebrows, and parted hair indicated across top and vertical series of dots on lighter section at centre of forehead. Carving marks on interior surface are overall fairly smooth. Small holes on sides and indentation on one side indicates that a string or cord was previously tied there. Screwed in metal eye hook at centre above eyes with a twisted multi-ply wire attached. 'J.C.' is written in white at one side.

Bee mask. Slightly rounded white forehead has a black and yellow horizontal curvilinear design, red ovoid at centre of yellow; raised thick curved black brows; thin yellow line joins orbital areas at dip between forehead and large protruding bulbous snout; yellow round hollow protruding eyes with black and white bands around pupil; snout has black triangular shape at top and bottom joined by a narrow band, black outline; cluster of five holes, top hole on right has remains of 'stinger'; white, yellow and red crescentic designs around circular white hollow nostrils; white temple; defining line for cheeks melds with orbital ridge; curvilinear black line on cheek; square-like white line defines black split U on either side of mouth area; white and yellow bands around small pointed protruding red lip band, painted design converges at lower lip point; yellow triangle on upturned chin is outlined in white. Cut cedar bark, tied with white cord, folded around a folded orange-pink cloth and nailed to upper rim; white cord and red cloth are twined into the cedar bark lengths; at side on right folded white cloth, stitched with yellow thread, is nailed at temples; brown cord twined into first 7cm. of bark. On reverse, one brown cord passes through two holes in upper rim, looped and knotted through hole at each temple; second cord is looped and knotted through chin.

Wild man or Bukwus mask with three shades of green paint on a skeletal face, with red, white and black used to emphasize facial features. Red horsehair has been stapled to top rim and centre of dome-like forehead; on either side of forehead natural wood horn-like projections have been pegged and glued, projection on left is loose; black brows, outlined in white, graduate in size from bridge of nose to side orbital ridge; curvilinear design from brows to side rim; sunken eye areas with hollow eyes; hooked nose with hollow flaring nostrils; bulbous protrusion on each cheek; wide gaping mouth exposes buck-teeth of natural wood; black and white form line design extends from nostrils around mouth to chin; white line divides cheek and chin from jaw. On reverse, four leather strips pass through holes drilled at sides and top and artist signature. Small sliver of wood lifted from front at side on right; peg for horn-like protrusion on left visible on reverse.