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Mask1-1633

The paint is red, green, black, and white.

Culture
Kwakwaka'wakw
Material
wood, cedar bark and paint
Holding Institution
The Burke: University of Washington
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Club7746
Mask2.5E1486

The paint is green, white, and red.

Culture
Nuu-chah-nulth: Kyuquot
Material
wood, paint and varnish
Holding Institution
The Burke: University of Washington
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Bear Mask | Sea Grizzly25.0/211

A row of fin-like protuberances along the snout and the scaly designs sweeping back from the nostrils suggest that this mask may represent not the ordinary mythical grizzly bear, but Nunis, the Grizzly Bear of the Sea. The mask is painted in black, red, green, yellow, and white. The jaw is hinged with a cord. When it is opened the teeth, which are all attached to the jaw, are exposed. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
wood, fur and paint
Holding Institution
The Burke: University of Washington
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Hand Puppet25.0/245

The paint is black and red.

Culture
Kwakwaka'wakw
Material
wood, paint, cloth and button
Holding Institution
The Burke: University of Washington
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Sun Mask2.5E823

`at:Sun Mask-A very rare maskHaida: A hawk-like face surrounded by 5 rays painted red, blue, yellow, black and white. (NOTE: Swan provided incorrect provenience of origin-RKW)

Culture
Kwakwaka'wakw ?
Material
wood and paint
Holding Institution
The Burke: University of Washington
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Spoon2335

Feast spoons were often made in sets, matched in size and with similar decorations. The three spoons in the collection of the Burke Museum are probably part of a much larger set. Lieutenant George Emmons collected them at Wrangell. The creature on this spoon was identified by Emmons as a frog. (Holm, Spirit and Ancestor, 1987)

Culture
Tlingit
Material
maple wood and paint
Holding Institution
The Burke: University of Washington
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Feast Bowl1-1992
Wand6936

The paint is black.

Culture
Kwakwaka'wakw
Material
wood, paint and cedar bark
Holding Institution
The Burke: University of Washington
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Mask25.0/223

This small mask representing a female with parted hair was made to fit a child. It was worn by one of the children of the Woman Giving Birth in the atlakim dance. The modelling is direct and bold, and the typically Kwakwaka'wakw painting in strong colors contrasting with white background contributes to the effect of great vitality. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
wood and paint
Holding Institution
The Burke: University of Washington
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