Lightly burnished naturalistic rendering of a bull. The underside is open fretwork design exposing dark clay of original form. The legs are slightly irregular with no hooves and are solid cast. a long slender tail is supported by brass wire that appears to have been added after casting. The bull is wearing a choker of twisted brass coils and tiny pressed balls that ends in bell under throat. Trefoil designs are located all over back and blanket type decoration from end of hump to tail.

Light coloured brass representation of a scorpion. Tail is raised in the stinging position and claws are open. Form appears playful, with very fat, round body, disproportionately small claws, simplistic facial features of pressed circles of brass. Legs are joined to their pairs across back with raised brass ribbed design.

Naturalistic brass representation of a deer in slender, delicate style. Small brass flat balls encased by 2 narrow strips of brass wire on each side to form entire open brass work surface on deer's back. Underside composed of crisscrossing brass wires forming open fretwork design. Legs and very thin antlers are solid. Face is humourously depicted with bulging eyes, deep nostrils and an open mouth.

Roughly burnished brass representation of a horse. Hard black material of interior core is distinctly visible through open circular fretwork on underside of belly and throat. 4 raised rosette designs, 1 on each flank. Coiled wire pattern on back. Low relief brass fringe embellishes upper foreface and neck.

Light coloured naturalistic brass representation of a horse. Hard black material of interior core is visible in 4 places on underside. Bridle made of crosshatched narrow raised brass strips. Repeated half chevron design on neck. On back is low relief outline of saddle. Arched tail has linear pattern impressed into it.

Round metal button with surface designs in high relief: dark finish overall; robust figure of bald-headed man wading through water. He wears draped pants, cloak, and carries items on his back from over-the-shoulder pole supported out front by both hands. Highest elevation is polished and smooth. Reverse with elevated rim. Central area has spotted copper and gold lacquer-like finish with soldered loop attached over top.

A polished red-brown hardwood with black crusted patina on the handle. The handle has a knob on its end. Two rings around the pestle's centre separate the slightly flared head from the handle.

Long rectangular wooden block with rounded edges and areas carved out to make moulds. Tibetan astrological calculation chart/diagram, carved on both sides, according to the Kālachakra calendar system with elements, such as the twelve Tibetan zodiac signs, nine Mewas, weekdays, and eight Parkhas.

Mask representing a monkey painted red overall with yellow, white, and black eyebrows, protruding eyes with a crescent-shaped slit under each, a flat low relief nose, twelve upper white teeth, no lower jaw. Remnants of plant fibre attached to nails in tufts along the forehead and upper jaw.

Female standing on a lotus base. Head circled by a nimbus of flames. Lotus on shoulder at right is grasped in that hand, which rests on her gracefully swaying hip. Arm on the left bent at elbow, palm out, index finger to thumb. Some signs of wear from worship. Sealed; chiseled vajra design on base plate.