Print depicting a large black dog with large round white and black eyes and a pair of round black nostrils. White lines overall to indicate fur texture. Below the image is written, "22/50," the title and the artist's name in Inuit Syllabics. The names of the artist and printmaker are printed in Inuit syllabics in monogram form along with the Cape Dorset stylized red igloo in the upper right-hand corner. The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.

Short upper garment of fine white cotton, padded, lined with white ramie. It has long sleeves at right angles to body of garment. Each sleeve has a band of shiny blue fabric at the writst, and has a curved lower edge. Sleeves are joined to body of garment with a concealed seam. Front edges of garment are angled outwards towards the bottom, and each side has an added panel near the edge. There is a facing with rounded lower edge extending about half-way down the garment, and an additional narrow neck facing of pasted silk basted in place with stitches invisible on the face of the garment. Front closing overlaps to the wearer’s right, and has a single frog closing. Ramie lining.

Rectangle hanging composed of one long and one short (on left side as seen) pieces of textile, with seven pentagonal leaves stitched on one long side. The background is red cotton, lined with yellow-white cotton(?). A narrow black cotton(?) band separates the rectangle and leaves. There are three hanging loops on top corners and centre. Rectangle is heavily embroidered with varying sizes of mirrors which form eight distinct unstructured patterns. On either side of the centre is a pattern: one is on an orange embroidered background and the other is on blue. A border of closely spaced mirrors, enclosed in two undulating black lines, encloses the patterns: the top and sides of the rectangle are embroidered with multi-coloured closely spaced diamonds and inverted triangles; seven mirrored and embroidered leaves are stitched to the bottom edge. Three alternate leaves are centred with a large rectangular mirror; two of which are framed in silver coloured metal and the third one with pink metal. Two of the other leaves may represent stylized peacocks, and two have unstructured mirrored patterns. Each leaf is ordered with closely spaced mirrors enclosed in two undulating black lines. Yellow embroidery thread rayon(?) is seen throughout.

Oval birch bark basket that tapers to a square base. Basket is formed from one piece of birch bark and is stitched at both ends. Reinforced wood rim is lashed to body of basket with spruce root--small segments of spruce roots are dyed red. Sides are decorated with a scraped vegetal design of four plants, with crosshatching on one end and the base left undecorated.

Unfinished strip of orange textile, heavily embroidered with a row of alternating yellow and white half-circles, decorated with small mirrors. Flanked by two bands of continuous multi-coloured chains outlined in black. Narrow green and purple stripe on top of wide band of multi-coloured triangles, connected to multi-coloured diamonds, all outlined in yellow, decorated with white dots on colours and between. White-yellow backing. Top edge is selvage. Three other edges are unfinished, but fastened with basting.

Unfinished, embroidered and mirrored rectangle. Centre panel is red cotton(?). Border is black cotton embroidered with multi-coloured cotton. Centre panel is embroidered with eleven semi-circular floral patterns with mirrored centers and many petals, two stylized peacocks, chevrons and tridents. Floral patterns are outlined with a double row of chain stitch. Panel is bordered by a row of closely spaced small mirrors which is banded on each side by two linear borders of chain stitch. Black textile border is cotton embroidered with closely spaced mirrored floral patterns which are outlined with two rows of white chain stitch, leaves and chevrons. Embroidered with chain, inter-lacing and buttonhole stitches. Lining is pieced together from four different pieces of yellow-white cotton. Embroidery passes through lining, edges are unfinished but are held by basting stitches.

Hanging consisting of a narrow, horizontal bead-worked rectangle with nine pentagonal beadwork leaves along the bottom edge. Background of opaque white beads with patterns in translucent green, red, blue and yellow beads. Rectangle has a diamond shaped foliage design alternating with a bird. The hangings alternate with patterns of a peacock and diamonds with a cow and tree; central design is a stylized human figure. Each leaf is bordered on four sides with one row of red beads and has three tassels of four bead loops in varying colours. The rectangle is backed with red textile and has five hanging loops stitched to the top edge. Beadwork attached to backing with overcast and running stitches.

Dark pink brimless cap with circular crown and straight vertical rim cut with an arch-like shape at the front. The cap is solidly embroidered in dark pink with a yellow, orange, blue and green diamond pattern on white material. The crown has two narrow black lines. Sequins are visible through holes in the embroidery, and the edge is finished with a narrow black line.

Curved bone handle with a length of rawhide attached at both ends; handle has scalloped edge to fit against fingers.

Oval shaped birch bark container with tapered, almost square base; sides flare outwards. Rim reinforced with a bent twig lashed with spruce root. Stitched together at narrower sides with spruce root. Dark inner bark on the outside of the container has been scraped away in places to form a design of lighter colour. Design consists of two horizontal bands, each band consists of five scraped rows; two outer rows with triangular motif extending outwards, three inner rows straight and narrow. Note: bottom band on one side has only two inner rows. Rim has seven to eight wraps of green coloured spruce root at endpoints and two to three wraps of red coloured spruce root divided by two wraps of natural spruce root at midpoints.