Roughly shaped stylized humanoid figure with inverted triangular head. Two upright arm-like extensions on either side of head. Body has two stacked forms with sharp v's to either side. Wide rectangular-like base. Small burnt circular holes outline all body and facial features. All beaded decorations are pressed into beeswax. At front top of head are thirteen carved notches. The deeply carved almond shaped eyes have black, red, and yellow bead pupils. The indented mouth has a double row of red beads. There is a double row of vertical red beads at base of arm on left, while red, and black beads at base of arm on right. Black and red bead cross at centre front of first body form. Circular beaded decorations: four on top of head, a row of four down each side and centre back, three at front of second body form, one at centre front base. Multiple strands of pink yarn are looped around neck, knotted at front and back, as ends hang free.

Oval, human face mask with sculpture features, raised eyebrows curving into realistic nose with nostril holes, high cheeks, almond shaped eyes holes in depressions, and mouth slit in slightly raised area. Hole at top centre to back. Two holes on each side about 6 cm. apart with wire braided wire passing along sides, across back, connected and twisted together at centre. White numbers on back read '26746'.

Oval, roughly carved face mask with green-brown stain and patchy grey pigment overall. Seal head appendage at top. Dark brown seal has incised eye slits and wide mouth slit. Notches indicate nostrils. Forehead of mask is higher than plane of face. Long, narrow, nose is nailed on with three metal nails. Nose is stained dark brown with red under stain and at bottom, scraped to bare wood at tip. Almond shaped eye holes below sloped lids. Two small holes below nose and downturned mouth hole with black over red lips. A hole on each side has a two strand twine cord tied between. Back is very uneven. Black #12 above #311 on side and faded '26920-2' in white.

Oval, stylized, dark brown human face with triangular nose. Face slopes off on either side and slopes off under nostril holes. Mouth is semi-circular hole, flat along bottom with carved Chinese-style green glass beads nailed just below mouth on either side. Series of pencil ? v's along a line from either side of mouth extending out to sides of mask. Curved pencil lines above almond shaped eye holes. A brittle hide ? strip passes through and is tied at small holes on either side of mask. Strip is knotted at centre. Back surface is smooth except at bevelled areas around holes and nose indentation. Black letters on one side read 'Nesk.20.p' and white numbers at bottom read '23757'.

Skin covered kayak with a single angled cockpit; relatively flat on top and keel; rounded bow tapers to a point and raises slightly from bottom; stern also tapers to a point and is raised from bottom. Series of evenly spaced (where visible) ribs attach to gunwales; ribs are flat on bottom and curve sharply at sides. Three longitudinal keel supports and additional supports around and extending from cockpit. Numerous skins are sewn together, covering kayak; the skin is sewn to a bent wood rim at cockpit. In front of cockpit is a bone support attached to top, side of kayak by a leather thong which passes through two holes on base of the support and through two holes on either side of kayak. There is a rope attached to the back of the cockpit on both sides. The skin covering is pieced by stitching in numerous places.

White woman mask has light orange-brown hair interspersed with black, hair inserted into twenty-six holes along upper rim, affixed with glue and wooden pegs. Slightly curved forehead. Light red arched raised brows. Circular hollow eyes. Brown eyelid line extends from above the brow on the temple, around the eye, and curves downward on to the cheek ridge. Aquiline nose. Slightly rounded cheek area has faint pink hue, as does the under-brow. Carved ears. Patchy pink lip band while the lower lip protrudes slightly. Rounded chin. On the reverse, there are thirty-one holes in the upper rim. Two metal 'eyes' screwed in above eye level. Wire passes through 'eyes' and is twisted. Two cylindrical wooden pegs at the base of the ears. Signed in pencil 'J. David '87'.

Round, stylized human face mask with sides sloping up to eyebrows and mouth. Mouth is curved slit with flattened lip. Thin almond shaped eye holes on slope below curved brow ridge. Triangular nose in high relief. Faint dark triangle on chin, bands below nose indicating a moustache, also eyebrows and hair. Small holes drilled on either side. Evenly spaced series of holes along edge of mask do not go through to back. Screwed in metal hook at top centre back. Back surface is rough with 'nesk-7-ex' in black and '2-11991' in white letters. White stain on face.

Brown bentwood oval box with lid (part b). Box is one piece, with bent sides with bevelled edges forming a flush side, sewn together with two parallel rows of baleen(?) and leather. Rectangular walrus tusk clasp between sewn rows with hooked appendage and six holes (or sets of holes), two form 'eyes' with hook as 'nose', attached through holes with leather strips. Two parallel grooves at top and bottom of sides. On opposite side is second walrus tusk rectangle with five sets of holes with leather strips attaching it to box. One top corner has wooden pegged (three) strip of wood; a longer damaged pegged (six) strip on end. Two holes on non-clasp side for attaching lid to box. Both are broken, remnants of one are on box, the other. Lid has a horizontal row on top of 7 beads with the central bead being light blue and the others being dark blue.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Form is of graduating in size, having seven 'steps' on each side. Front and back surfaces are flat. Mirror with metal edging and outlined with two and a half rows of black beads at centre front. Small burnt circles outline form. On front, two crossing diagonal lines above mirror, two semi-circular lines below mirror, and a triangle on the base. On back, central line with paired lines curving away on either side. Beads, some loose and others strung together, are pressed into beeswax to form decorations: red and yellow cross above mirror, red and yellow diagonal line below mirror, three black rows below mirror on right, yellow bordered by red on left of base, black and red cross at centre base, five circles down each side, and four circles down centre back. Pink and yellow yarn pulled through hole at centre top, knotted with ends hanging free. Two red and two yellow pompoms on cord wrapped below mirror.